Complete Recordings

~ Release by Wynton Kelly Trio with Joe Henderson (see all versions of this release, 1 available)

Annotation

Location: Famous Ballroom, Baltimore, Maryland, USA
Recording Date: 1968/04/21
Personnel:
Joe Henderson (ts), Wynton Kelly (p), Paul Chambers (b), Jimmy Cobb(ds)
Additional:
#1-#8 previously issued Joe Henderson with the Wynton Kelly Trio, Straight, No Chaser (Verve 314-531-561-2)
#9 seems previously unreleased.

Disc 2

Location: Famous Ballroom, Baltimore, Maryland, USA
Recording Date: 1968/04/21
Personnel:
Joe Henderson (ts), Wynton Kelly (p), Paul Chambers (b), Jimmy Cobb(ds)
Additional:
#1-#6 previously issued Joe Henderson with the Wynton Kelly Trio, Four! (Verve 314-523-657-2)
#7 seems previously unreleased.

Annotation last modified on 2020-06-27 14:03 UTC.

Tracklist

▶CD 1
▼CD 2
#TitleRatingLength
1Straight, No Chaser
engineer:
Vernon Welsh (on 1968-04-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1968-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1968-04-21)
piano:
Wynton Kelly (on 1968-04-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1968-04-21)
recorded at:
Left Bank Jazz Society in Baltimore, Maryland, United States (on 1968-04-21)
recording of:
Straight, No Chaser (on 1968-04-21)
composer:
Thelonious Monk
publisher:
Thelonious Music
14:41
2Days of Wine and Roses
engineer:
Vernon Welsh (on 1968-04-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1968-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1968-04-21)
piano:
Wynton Kelly (on 1968-04-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1968-04-21)
recorded at:
Left Bank Jazz Society in Baltimore, Maryland, United States (on 1968-04-21)
instrumental recording of:
Days of Wine and Roses (on 1968-04-21)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 35)
8:18
3What Is This Thing Called Love?
engineer:
Vernon Welsh (on 1968-04-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1968-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1968-04-21)
piano:
Wynton Kelly (on 1968-04-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1968-04-21)
recorded at:
Left Bank Jazz Society in Baltimore, Maryland, United States (on 1968-04-21)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1968-04-21)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
9:28
4If You Could See Me Now
engineer:
Vernon Welsh (on 1968-04-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1968-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1968-04-21)
piano:
Wynton Kelly (on 1968-04-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1968-04-21)
recorded at:
Left Bank Jazz Society in Baltimore, Maryland, United States (on 1968-04-21)
instrumental recording of:
If You Could See Me Now (jazz standard) (on 1968-04-21)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
8:40
5On a Clear Day (You Can See Forever)
engineer:
Vernon Welsh (on 1968-04-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1968-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1968-04-21)
piano:
Wynton Kelly (on 1968-04-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1968-04-21)
recorded at:
Left Bank Jazz Society in Baltimore, Maryland, United States (on 1968-04-21)
instrumental recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (on 1968-04-21)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
11:52
6Limehouse Blues
engineer:
Vernon Welsh (on 1968-04-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1968-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1968-04-21)
piano:
Wynton Kelly (on 1968-04-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1968-04-21)
recorded at:
Left Bank Jazz Society in Baltimore, Maryland, United States (on 1968-04-21)
instrumental recording of:
Limehouse Blues (on 1968-04-21)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
6:37
7Pfrancing
engineer:
Vernon Welsh (on 1968-04-21)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1968-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1968-04-21)
piano:
Wynton Kelly (on 1968-04-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1968-04-21)
recorded at:
Left Bank Jazz Society in Baltimore, Maryland, United States (on 1968-04-21)
recording of:
Pfrancin' (on 1968-04-21)
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
9:02
8The Theme
2:18
9Char's Blues
5:38