Magic: The Album

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

3 x Slim Jewel Cases in card sleeve.
Cover art as depicted on 20170622 is wrong for this release.

Annotation last modified on 2017-06-22 12:09 UTC.

Tracklist

▶CD 1
▶CD 2
▼CD 3
#TitleArtistRatingLength
1Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.84:06
2(Sittin' On) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Otis Redding4.452:44
3One Day I'll Fly Away
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Randy Crawford4:16
4Out of Reach
lead vocals:
Gabrielle (British singer-songwriter)
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
recording of:
Out of Reach (in 2001)
writer:
Louise Gabrielle Bobb (British singer-songwriter) and Jonathan Shorten
publisher:
Perfect Songs
Gabrielle2.653:16
5Let's Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges
organ and piano:
Charles Hodges (Soul Organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys))
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.553:12
6Promise Me
engineer:
Barry Hammond
producer:
Paul Samwell-Smith
mixer:
Frank Filipetti
guest bass guitar:
Maartin Allcock
guest guitar:
Simon Nicol (singer, multi-instrumentalist and producer from England)
guest keyboard:
Bias Boshell
guest membranophone:
Dave Mattacks
piano accordion, background vocals and lead vocals:
Beverley Craven
recording of:
Promise Me
lyricist and composer:
Beverley Craven
Beverley Craven43:33
7Always
engineer:
Rory Young
producer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page
arranger:
Gene Page
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:44
8You Dont Love Me (No, No, No)
recording of:
You Don’t Love Me (No, No, No)
writer:
Clement “Coxsone” Dodd and Dawn Penn
music quoted on:
No No No
version of:
You Don’t Love Me
Dawn Penn3:11
9You Win Again
drums (drum set) programming:
Maurice Gibb and Rhett Lawrence
membranophone programming:
Rhett Lawrence
additional engineer:
Claude 'Swifty' Achille, Ed Garcia, Ellen Fitton, Michael O’Reilly (engineer) and Ken Steiger
assistant engineer:
Scott Glasel
engineer and mixer:
Brian Tench
co-producer:
Brian Tench
producer:
Arif Mardin
acoustic guitar, electric guitar, guitar and lead vocals:
Barry Gibb (in 1987)
additional keyboard:
Maurice Gibb (in 1987)
bass synthesizer:
Robbie Kondor (in 1987)
keyboard:
Maurice Gibb (in 1987) and Robbie Kondor (in 1987)
background vocals:
Maurice Gibb (in 1987) and Robin Gibb (in 1987)
arranger:
Bee Gees
phonographic copyright (℗) by:
Barry Gibb (in 1987), Maurice Gibb (in 1987) and Robin Gibb (in 1987)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987), Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1987) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1987)
recording of:
You Win Again (in 1987)
lyricist and composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Crompton Songs and Gibb Brothers Music
Bee Gees3.254:00
10Ain't Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa
tenor saxophone:
Gary Herbig and Ernie Watts (jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Rufus3.74:32
11Le Freak
producer:
Bernard Edwards and Nile Rodgers
conductor:
Bernard Edwards and Nile Rodgers
arranger:
Bernard Edwards and Nile Rodgers
recording of:
Le Freak
writer:
Bernard Edwards and Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic35:28
12Everyday Is a Winding Road
recording of:
Everyday Is a Winding Road
writer:
Sheryl Crow, Brian MacLeod (American drummer) and Jeff Trott
publisher:
Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996) and Weenie Stand Music (in 1996)
Sheryl Crow4:11
13Love Shack
assistant engineer:
Martin Kunitz
engineer:
Dave Cook (US engineer and producer)
producer:
Nile Rodgers and Don Was
mixer:
Tom Durack
guest bass guitar:
Sara Lee (UK bassist, singer & songwriter)
guest drums (drum set):
Charley Drayton
guest horn:
Uptown Horns
guitar:
Keith Strickland
keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider and Cindy Wilson
recorded at:
Dreamland Studios in Hurley, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and Skyline Studios in New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 243)
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider, Keith Strickland and Cindy Wilson
The B‐52s4.45:21
14If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.654:00
15Stay
programming:
Marcella Detroit
additional engineer:
Lee Manning (US engineer)
assistant engineer:
Nick Addison
engineer:
Alan Moulder (producer and engineer)
producer:
Alan Moulder (producer and engineer), Shakespears Sister and Chris Thomas (UK record producer / remixer)
additional keyboard [keyboards]:
Steve Ferrera (UK drummer), Ian Maidman and Jonathan Perkins (aka Wild Mondo)
drums (drum set):
Steve Ferrera (UK drummer)
electric bass guitar [bass]:
Ian Maidman
electric guitar [guitar] and harmonica:
Marcella Detroit
keyboard [keyboards]:
Ed Shearmur (English score composer)
lead vocals [vocals]:
Marcella Detroit and Siobhan Fahey
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed on 26th Aug 2011 as Warner Records 90 Ltd.) (in 1991) and London (in 1992)
recorded at:
Friar Park (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom
mixed at:
Chapel Studios (Encino, Los Angeles) in Encino, California, United States
recording of:
Stay
writer:
Marcella Detroit, Siobhan Fahey and Jean Guiot (composer credits pseudonym of Dave Stewart)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS-affiliated) and Island Music Ltd.
Shakespears Sister3.353:43
16Glorious
recording of:
Glorious
lyricist and composer:
Andreas Johnson
Andreas Johnson43:27

Credits

Release

ASIN:UK: B000C1XHZC [info]