Os grandes clássicos: Festival clássico

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Marcha nupcial orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Felix Mendelssohn		4:52
2	Dança do sabre orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) conductor: Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz phonographic copyright (℗) by: Pilz Media Group (company credits only; do not use as release label!) (in 1988) recording of: Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance composer: Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942) version of: Gayaneh: Act III, Scene VII (Expiation). Sabre Dance part of: Third Suite from the ballet “Gayaneh” for orchestra, op. 55	Արամ Խաչատրյան		2:32
3	Valsa triste orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Valse triste, op. 44 no. 1 (for orchestra) composer: Jean Sibelius (Finnish composer) (in 1903) revised by: Jean Sibelius (Finnish composer) (in 1904) premiered at: Konsertti (1904-04-25) premiered at: Svenska Teatern (theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25) part of: 2 Pieces from Kuolema, op. 44 revision of: Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra) recording of: Valse Triste, op. 44 no. 1 (catch-all for arrangements) composer: Jean Sibelius (Finnish composer) (from 1903 until 1904, in 1904) arrangement of: Valse triste, op. 44 no. 1 (for orchestra)	Jean Sibelius		3:57
4	Poeta e aldeão: Abertura orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Dichter und Bauer: Ouvertüre composer: Franz von Suppè (composer) part of: Dichter und Bauer	Franz von Suppé		9:50
5	Cavalleria rusticana: Intermezzo orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (composer & conductor) (in 1888) part of: Cavalleria rusticana part of: Cavalleria rusticana (german lyrics)	Pietro Mascagni		3:24
6	Carmen, suite no. 1: I. Prelúdio (Ato I) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato composer: Georges Bizet (composer) part of: Carmen Suite no. 1	Georges Bizet		1:22
7	Carmen, suite no. 1: II. Aragonesa (Prelúdio Ato IV) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) composer: Georges Bizet (composer) is based on: Carmen : Acte III. Entr’acte (intermission between Acts III & IV) part of: Carmen Suite no. 1	Georges Bizet		2:14
8	Carmen, suite no. 1: III. Intermezzo (Prelúdio Ato III) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) composer: Georges Bizet (composer) is based on: Carmen : Acte II. Entr’acte (intermission between Acts II & III) part of: Carmen Suite no. 1	Georges Bizet		2:41
9	Carmen, suite no. 1: IV. Seguidilla (Ato I) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) part of: Carmen Suite no. 1	Georges Bizet		1:53
10	Carmen, suite no. 1: V. Os dragões de Alcalá (Prelúdio Ato II) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) composer: Georges Bizet (composer) is based on: Carmen : Acte I. Entr’acte (intermission between Acts I & II) part of: Carmen Suite no. 1	Georges Bizet		1:38
11	Carmen, suite no. 1: VI. Os toureiros (Introdução Ato I) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet (composer) is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1	Georges Bizet		2:20
12	Carmen, suite no. 2: I. Marcha dos contrabandistas orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: I. Marche des contrebandiers composer: Georges Bizet (composer) is based on: Carmen : Acte III, No. 19. « Écoute, écoute, compagnon, écoute » (Les Contrebandiers, Mercédès, Frasquita, Carmen, Don José, Le Dancaïre, Le Remendado) (Chœur des contrebandiers) part of: Carmen Suite no. 2	Georges Bizet		3:58
13	Carmen, suite no. 2: II. Havaneira (Ato I) orchestra: Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) part of: Carmen Suite no. 2	Georges Bizet	4	2:12
14	Carmen, suite no. 2: III. Nocturno (Aria da Michaela - Ato III) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: III. Nocturne composer: Georges Bizet (composer) is based on: Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla) part of: Carmen Suite no. 2	Georges Bizet		4:10
15	Carmen, suite no. 2: IV. Canção do Toureiro (Ato II) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: IV. Chanson du toréador composer: Georges Bizet (composer) is based on: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”) part of: Carmen Suite no. 2	Georges Bizet		2:40
16	Carmen, suite no. 2: V. A guarda entrante (Ato I) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: V. La Garde montante composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) part of: Carmen Suite no. 2	Georges Bizet		3:53
17	Carmen, suite no. 2: VI. Dança boêmia (Ato II) orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: VI. Danse bohème composer: Georges Bizet (composer) is based on: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) part of: Carmen Suite no. 2	Georges Bizet		4:32
18	Marcha da Firenze orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Florentiner Marsch, op. 214 composed in: Budapest, Hungary (on 1907-09-15) composer: Julius Fučík (Czech composer) (on 1907-09-15)	Julius Fučík		5:14

Credits

Release

part of:	Os grandes clássicos (number: 0) (order: 2)