Puccini: Madama Butterfly

~ Release by Freni · Pavarotti · Ludwig · Kerns; Vienna Philharmonic Orchestra; Karajan (see all versions of this release, 4 available)

Tracklist

▼Digital Media 1
#TitleArtistRatingLength
1Madama Butterfly: Act I. "... E soffitto e pareti"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
recording of:
Madama Butterfly: Atto I. Introduction (Orchestra) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:57
2Madama Butterfly: Act I. "Sorride Vostro Onore?"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:31
3Madama Butterfly: Act I. "Dovunque al mondo"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals and baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:59
4Madama Butterfly: Act I. "America for ever"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:35
5Madama Butterfly: Act I. "Ier l'altro il Consolato"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:09
6Madama Butterfly: Act I. "Ecco. Son giunte al sommo del pendio"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo” (Goro, amiche di Butterfly, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:42
7Madama Butterfly: Act I. "Gran ventura"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:53
8Madama Butterfly: Act I. "L'imperial Commissario"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
bass vocals [La zio Yakusidè]:
Wolfgang Schneider (operatic bass) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
soprano vocals [La cugina di Cio-Cio-San]:
Martha Heigl (soprano) (in 1974-01)
soprano vocals [La zia di Cio-Cio-San]:
Erna Maria Mühlberger (soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:32
9Madama Butterfly: Act I. "Vieni, amor mio!"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:51
10Madama Butterfly: Act I. "leri son salita tutta sola in segreto alla Missione"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:15
11Madama Butterfly: Act I. "Tutti zitti!"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Il Commissario Imperiale]:
Hans Helm (baritone) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Il Commissario Imperiale) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:12
12Madama Butterfly: Act I. "O Kami! O Kami!"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
bass vocals [Il Bonzo]:
Marius Rintzler (Romanian operatic bass) (in 1974-01)
bass vocals [La zio Yakusidè]:
Wolfgang Schneider (operatic bass) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
soprano vocals [La cugina di Cio-Cio-San]:
Martha Heigl (soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini0:36
13Madama Butterfly: Act I. "Cio-cio-san! Cio-cio-san!"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
bass vocals [Il Bonzo]:
Marius Rintzler (Romanian operatic bass) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:44
14Madama Butterfly: Act I. "Bimba, bimba, non piangere"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
mezzo-soprano vocals and mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini2:22
15Madama Butterfly: Act I. "Viene la sera"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Giacomo Puccini7:34
16Madama Butterfly: Act I. "Vogliatemi bene"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
Giacomo Puccini7:54
17Madama Butterfly: Act II, Scene I. "E Izaghi ed Izanami, Sarundasico e Kami"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini7:37
18Madama Butterfly: Act II, Scene I. "Un bel dì vedremo"
recording engineer:
Jack Law (engineer) (on 1974-01-31), James Lock (engineer) (on 1974-01-31) and Gordon Parry (engineer) (on 1974-01-31)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn
soprano vocals [Butterfly]:
Mirella Freni (soprano) (on 1974-01-31)
orchestra:
Wiener Philharmoniker (on 1974-01-31)
conductor:
Herbert von Karajan (conductor) (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:33
19Madama Butterfly: Act II, Scene I. "C'è. Entrate"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Il Principe Yamadori]:
Giorgio Stendoro (baritone) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini6:40
20Madama Butterfly: Act II, Scene I. "Si sa che aprir la porta"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini1:05
21Madama Butterfly: Act II, Scene I. "Udiste?"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Il Principe Yamadori]:
Giorgio Stendoro (baritone) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:00
22Madama Butterfly: Act II, Scene I. "Ora a noi. Sedete qui"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:55
23Madama Butterfly: Act II, Scene I. "Ebbene, che fareste, Madama Butterfly?"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:54
24Madama Butterfly: Act II, Scene I. "E questo? E questo?"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “E questo? E questo?” (Butterfly, Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:27
25Madama Butterfly: Act II, Scene I. "Che tua madre dovrà prenderti in braccio"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:18
26Madama Butterfly: Act II, Scene I. "Vespa! Rospo maledetto!"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [La madre di Cio-Cio-San]:
Evamaria Hurdes (soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:00
27Madama Butterfly: Act II, Scene I. "Una nave da guerra..."
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:46
28Madama Butterfly: Act II, Scene I. "Scuoti quella fronda di ciliegio"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:38
29Madama Butterfly: Act II, Scene I. "Or vienmi ad adornar"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
bass vocals [L'ufficiale del registro]:
Siegfried Rudolf Frese (German operatic bass-baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:34
30Madama Butterfly: Act II, Scene I. Coro a bocca chiusa
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:04
31Madama Butterfly: Act II, Scene II. Intermezzo
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto III. Intermezzo (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini6:14
32Madama Butterfly: Act II, Scene II. (Fischi d'uccelli dal giardino)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto III. Intermezzo (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:50
33Madama Butterfly: Act II, Scene II. "Già il sole!"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:32
34Madama Butterfly: Act II, Scene II. "Chi sia?"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:34
35Madama Butterfly: Act II, Scene II. "lo so che alle pene"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:10
36Madama Butterfly: Act II, Scene II. "Non ve l'avevo detto?"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:55
37Madama Butterfly: Act II, Scene II. "Addio fiorito asil"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Kate Pinkerton]:
Elke Schary (Polish soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini3:11
38Madama Butterfly: Act II, Scene II. "Suzuki? Suzuki? Dove sei?"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Suzuki! Suzuki! Dove sei?” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:55
39Madama Butterfly: Act II, Scene II. "Tu, Suzuki, che sei tanto buona"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Kate Pinkerton]:
Elke Schary (Polish soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:45
40Madama Butterfly: Act II, Scene II. "Come una mosca prigioniera"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:43
41Madama Butterfly: Act II, Scene II. "Con onor muore chi non può serbar vita con onore"
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:34