The Complete Verve Studio Master Takes

~ Release by Billie Holiday (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1East of the Sun (and West of the Moon)
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
East of the Sun (and West of the Moon) (on 1952-03-26)
lyricist and composer:
Brooks Bowman (in 1934)
writer:
Brooks Bowman
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
2:56
2Blue Moon
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Blue Moon (on 1952-03-26)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
music quoted on:
Opening Production (from Jane Froman's album, "With a Song in My Heart")
part of:
New York, New York (soundtrack of the 1977 film)
4.53:30
3You Go to My Head
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
You Go to My Head (on 1952-03-26)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
52:55
4You Turned the Tables on Me
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
You Turned the Tables on Me (on 1952-03-26)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:28
5Easy to Love
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Easy to Love (on 1952-03-26)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
43:01
6These Foolish Things
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
orchestra:
Billie Holiday and Her Orchestra (in 1952)
recording of:
These Foolish Things (Remind Me of You) (on 1952-03-26)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
53:38
7I Only Have Eyes for You
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
electric guitar:
Barney Kessel
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
I Only Have Eyes for You (on 1952-03-26)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
42:56
8Solitude
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Solitude (on 1952-03-26)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co. and EMI Mills Music Inc. (ASCAP-affiliated)
3:31
9Everything Have Is Yours
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Everything I Have Is Yours (in 1952-04)
lyricist:
Harold Adamson
composer:
Burton Lane
3:46
10Love for Sale
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:58
11Moonglow
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Moonglow (in 1952-04)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:01
12Tenderly
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Tenderly (in 1952-04)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:24
13If the Moon Turns Green
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
If the Moon Turns Green (in 1952-04)
lyricist:
Paul Coates (songwriter; “If the Moon Turns Green”) (on 1934-11-27)
composer:
Bernie Hanighen (on 1934-11-27)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (on 1934-11-27)
2:48
14Remember
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Remember (in 1952-04)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
2:37
15Autumn in New York
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
trumpet:
Charlie Shavers (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Autumn in New York (1934) (in 1952-04)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
43:43
16My Man
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1952-07-27)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
2:37
17Lover, Come Back to Me
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Lover, Come Back to Me (The New Moon) (on 1952-07-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:35
18Stormy Weather
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Stormy Weather (on 1952-07-27)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
53:43
19Yesterdays
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Yesterdays (on 1952-07-27)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:50
20He’s Funny That Way
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
He's Funny That Way (on 1952-07-27)
writer:
Neil Moret and Richard A. Whiting
3:12
21I Can’t Face the Music
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
I Can’t Face the Music (on 1952-07-27)
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
3:13
▶CD 2
▶CD 3
▶CD 4
▶CD 5
▶CD 6