Pub Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Deezer + Spotify)

(As of 2020-07-25).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇰🇷 Korea (kr) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-07-25 16:28 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Better Be Home Soon
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric bass guitar [bass]:
Nick Seymour
guitar and lead vocals:
Neil Finn
recording of:
Better Be Home Soon
lyricist and composer:
Neil Finn
Crowded House3.53:08
2Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
Divinyls3.353:48
3Turn Up Your Radio
Masters Apprentices3:35
4Errol (remastered)
engineer:
Dave Marett (engineer)
producer:
Peter Dawkins
acoustic guitar, electric guitar and slide guitar:
Simon Binks (from 1981-03 until 1981-04)
bass:
Paul Williams (bassist in 'Australian Crawl') (from 1981-03 until 1981-04)
drums (drum set) and percussion:
Bill McDonough (from 1981-03 until 1981-04)
guitar:
Guy McDonough (from 1981-03 until 1981-04) and Brad Robinson (from 1981-03 until 1981-04)
piano and lead vocals:
James Reyne (from 1981-03 until 1981-04)
phonographic copyright (℗) by:
Universal Music Australia Pty Ltd. (formerly Polygram Pty Ltd. until 1999-03-22; not for release label use!) (in 1981)
recorded at and mixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in New South Wales, Australia (from 1981-03 until 1981-04)
recording of:
Errol (from 1981-03 until 1981-04)
writer:
Guy McDonough and James Reyne
Australian Crawl33:31
5A Pub With No Beer (1998 remaster)
recording of:
A Pub With No Beer
lyricist and composer:
Gordon Parsons
Slim Dusty3:01
6Reckless
James Reyne5:07
7The Honeymoon Is Over
recording of:
The Honeymoon Is Over
writer:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) and Dan Rumour
The Cruel Sea2.53:07
8Jack & Diane
assistant engineer:
Brad Gilderman, Dennis Hetzendorfer and Al Stegmeyer
engineer:
Don Gehman, Mark Stebbeds and George Tutko (engineer, producer)
producer:
Don Gehman and John Cougar Mellencamp
bass guitar:
George “Chocolate” Perry (bassist)
drums (drum set):
Kenny Aronoff
guitar:
Larry Crane and Mike Wanchic
lead vocals:
John Cougar
phonographic copyright (℗) by:
John Mellencamp (in 2005)
recording of:
Jack & Diane
lyricist and composer:
John Mellencamp
John Mellencamp4.154:16
9Joker and the Thief
engineer:
Ryan Castle
producer and mixer:
David Sardy (American score composer)
editor:
Andy Brohard
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Joker & the Thief
writer:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) and Andrew Stockdale
publisher:
Universal Music Publishing (use ONLY if no country-specific information is available)
Wolfmother3.654:41
10The Boys Are Back in Town
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham and Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.254:18
11Roxanne (remastered 2003)
engineer:
Chris Gray (UK engineer) and Nigel Gray (UK producer)
producer:
The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1978), Polydor Records (record company, please use “Polydor” for release label.) (in 1978), A&M Records, Inc. (in 1997) and A&M Records, Ltd. (in 2003)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
music videos:
Roxanne (Music video) by The Police
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 388)
recording of:
Roxanne
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:12
12Great Southern Land
recording of:
Great Southern Land
writer:
Iva Davies
Icehouse25:17
13Mr. Jones
recorded in:
Los Angeles, California, United States
recording engineer:
Pat McCarthy
additional engineer:
Robert Hart (engineer), Steve Holroyd and Howard Willing
assistant engineer:
Mark Guilbeault and Brant Scott
executive producer:
Gary Gersh
producer:
T‐Bone Burnett (american musician, songwriter and producer)
mixer:
Scott Litt (producer and engineer) and Pat McCarthy
accordion, chamberlin and Hammond organ:
Charlie Gillingham
additional drums (drum set) and additional percussion:
Denny Fongheiser
additional guitar:
T‐Bone Burnett (american musician, songwriter and producer), Bill Dillon and David Immerglück
additional guitorgan:
Bill Dillon
additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
David Immerglück
bass guitar:
Matt Malley
guitar:
David Bryson and Matt Malley
harmonica and lead vocals:
Adam Duritz
piano:
Adam Duritz and Charlie Gillingham
additional background vocals:
Gary Louris, Maria McKee and Mark Olson (US alt. country musician, Jayhawks etc)
vocals:
Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
additionally recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders (aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 474)
recording of:
Mr. Jones
lyricist:
Adam Duritz
composer:
David Bryson and Adam Duritz
Counting Crows4.054:32
14Help Is on Its Way
phonographic copyright (℗) by:
EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976)
recording of:
Help Is on Its Way
lyricist and composer:
Glenn Shorrock
Little River Band44:01
15Centerfold
engineer:
David Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.153:39
16The Gambler
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1978)
recorded at:
Jack Clement Recording Studio in Nashville, Tennessee, United States
cover recording of:
The Gambler
writer and composer:
Don Schlitz
publisher:
Sony/ATV Cross Keys Publishing and Writer's Night Music
Kenny Rogers53:30
17Boys From the Bush (remastered)
Lee Kernaghan2:48
18Come On Eileen (single edit)
recording of:
Come On Eileen (in 1982)
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
lyrics quoted on:
Kom igen Lena!
Kevin Rowland & Dexys Midnight Runners33:29
19Wish You Well
assistant engineer:
Claire Lewis
engineer and mixer:
Tchad Blake
producer:
Tchad Blake and Bernard Fanning
guitar:
Bernard Fanning
vocals:
Bernard Fanning
mixed at and engineered at:
Real World Studios in Box, Wiltshire, England, United Kingdom
recording of:
Wish You Well
Bernard Fanning32:32
20Closing Time
recording engineer and producer:
Nick Launay
assistant engineer:
Jim Champagne, Alex Oana, Shane Washington and Richard Werbowenko
mixer:
Jack Joseph-Puig
bass guitar:
John Munson
drums (drum set):
Jacob Slichter
guitar and piano and lead vocals:
Dan Wilson (American singer/songwriter)
strings:
Bruce Allard, Mary Bahr, Carolyn Boulay, Troy Gardner and Josh Koestenbaum
vocals:
John Munson and Jacob Slichter
conductor:
Jacob Slichter
performer:
Semisonic
strings arranger:
Jacob Slichter
recorded at:
Seedy Underbelly (MN) in Minnesota, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
music videos:
Closing Time by Semisonic
part of:
Indie 88: Top 500 Indie Rock Songs (number: 367)
recording of:
Closing Time
lyricist and composer:
Dan Wilson (American singer/songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Semisonic3.94:36
21Lost Control
Grinspoon3:30
22Copperhead Road
recording engineer and mixer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
producer:
Tony Brown (US producer, pianist and keyboardist) and Steve Earle (US folk/rock singer/songwriter)
recording of:
Copperhead Road
anthem of:
Tennessee, United States
lyricist and composer:
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.254:29
23One Way or Another (remastered)
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Chrysalis Songs, EMI Music Publishing Ltd. (PRS-affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
Blondie43:33
24Hit Me With Your Best Shot
engineer:
Chris Minto (engineer) and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer)
bass:
Roger Capps
drums (drum set):
Myron Grombacher
guitar:
Scott St. Clair Sheets
guitar and keyboard:
Neil Giraldo
background vocals:
Roger Capps and Neil Giraldo
background vocals and lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980)
recording of:
Hit Me With Your Best Shot
lyricist and composer:
Eddie Schwartz
Pat Benatar4.452:53
25Buy Me a Pony
recording of:
Buy Me a Pony
lyricist and composer:
Janet English, Mark Maher (Australian drummer aka Kram) and Damian Whitty
Spiderbait31:45
26American Pie (full length version)
engineer:
Tom Flye
producer:
Ed Freeman
electric guitar:
David Spinoza
piano:
Paul Griffin (American pianist, session musician)
performer:
Don McLean
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
American Pie
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Don McLean3.958:27
27Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Phonogram Ltd. (in 1985) and Mercury Records Ltd. (not for release label use!) (in 2014)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
composer:
Mark Lettieri
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Virgin Music (Publishers) Ltd., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Tears for Fears3.94:10
28Lightning Crashes
engineer:
Lou Giordano (Boston engineer)
executive producer:
Gary Kurfirst
producer:
Jerry Harrison (Talking Heads) and Līve (US alt rock band)
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Radioactive Records (in 1994)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 476)
recording of:
Lightning Crashes
lyricist:
Ed Kowalczyk
composer:
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk and Chad Taylor (US guitarist for Live)
Līve45:26
29Eleanor Rigby
Zoot4:47
30Tip of My Tongue
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Tip of My Tongue
writer:
Diesel (Australian pop rock aka Mark Lizotte) and John Daniel Tate
Diesel34:15
31The Boys of Summer
engineer and mixer:
Niko Bolas and Greg Ladanyi
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Don Henley, Danny Kortchmar and Greg Ladanyi
electric bass guitar [bass]:
Larry Klein
guitar [guitars], percussion and synthesizer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
guitar synthesizer [synthesizer guitar]:
Danny Kortchmar
synthesizer:
Steve Porcaro
lead vocals:
Don Henley
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 209) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 416)
recording of:
The Boys of Summer
lyricist and composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Don Henley
Don Henley3.854:48
32Bohemian Like You
producer and mixer:
David Sardy (American score composer)
guest organ:
Erik Gavriluk
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor-Taylor
The Dandy Warhols4.23:32
33Don’t You (Forget About Me) (remastered 2001)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
MCA Music Ltd.
Simple Minds4.354:21
34You Ain’t Seen Nothing Yet
recording engineer and mixer:
Mark K. Smith (Canadian engineer)
assistant engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistant mixer:
Richard Dashut
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive4.53:55
35Mustang Sally (from “The Commitments” soundtrack)The Commitments & Andrew Strong54:01
36Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
bass:
Tony Breit
electric guitar:
Craig Ross (guitarist)
background vocals and lead vocals:
Lenny Kravitz
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Lenny Kravitz and Craig Ross (guitarist)
publisher:
Miss Bessie Music, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Lenny Kravitz3.853:33
37My Sharona
recording engineer:
Pete Coleman
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Prescott Niles
drums (drum set):
Bruce Gary
guitar:
Berton Averre and Doug Fieger
lead vocals:
Doug Fieger
vocals:
Berton Averre
remixer:
Dave Jerden
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2013)
part of:
TV Cream: Real 100 Best Singles Ever (number: 24)
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger
The Knack4.154:51
38Tubthumping (album version)
drum machine programming:
Harry “Daz” Hamer
engineer and producer:
Chumbawamba and Neil Ferguson (Chumbawamba)
bass:
Paul Greco (former bassist of British band Chumbawamba) (from 1996-08 until 1997-02)
drums (drum set):
Harry “Daz” Hamer (from 1996-08 until 1997-02)
guitar:
Neil Ferguson (Chumbawamba) (from 1996-08 until 1997-02) and Boff Whalley (from 1996-08 until 1997-02)
keyboard:
Neil Ferguson (Chumbawamba) (from 1996-08 until 1997-02) and Lou Watts (from 1996-08 until 1997-02)
percussion:
Dunstan Bruce (from 1996-08 until 1997-02)
trumpet:
Jude Abbott (from 1996-08 until 1997-02)
vocals:
Jude Abbott (from 1996-08 until 1997-02), Dunstan Bruce (from 1996-08 until 1997-02), Danbert Nobacon (from 1996-08 until 1997-02), Alice Nutter (from 1996-08 until 1997-02), Lou Watts (from 1996-08 until 1997-02) and Boff Whalley (from 1996-08 until 1997-02)
arranger:
Chumbawamba
recorded at and mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (from 1996-08 until 1997-02)
music videos:
Tubthumping by Chumbawamba
recording of:
Tubthumping (in 1996)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.94:39
39Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
remixer:
Eric Stewart
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
Man-Ken Music Ltd.
10cc4.654:28
40Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
The Delaware Destroyers
mixer:
Ken Irwin, Paul Mufson, John Nagy and George Thorogood
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
George Thorogood & the Destroyers4.84:50
41Higher Ground (album version)Stevie Wonder4.53:42
42The Only Thing That Looks Good on Me Is You (album version)
recorded in:
France (from 1994 until 1996-03-16)
mixed in:
Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France (from 1996-03 until 1996-03-16)
programming:
Olle "Sven" Romo
engineer:
Olle "Sven" Romo and Ron Vermeulen
producer:
Bryan Adams (Canadian singer/songwriter) and Robert John “Mutt” Lange
mixer:
Bob Clearmountain (from 1996-03 until 1996-03-16)
12 string guitar, guitar [Wah Guitar] and lead vocals:
BA (Canadian singer/songwriter) (from 1994 until 1996-03-16)
bass:
Dave Taylor (Bass player (Bryan Adams) and engineer) (from 1994 until 1996-03-16)
drums (drum set):
Mickey Curry (from 1994 until 1996-03-16)
guitar:
Mutt Lange (from 1994 until 1996-03-16) and Keith Scott (Canadian guitarist) (from 1994 until 1996-03-16)
percussion:
Olle Romo (from 1994 until 1996-03-16)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1996), A&M Records, Inc. (in 1999) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
part of:
The Downloader’s Music Source Book (number: 172)
recording of:
The Only Thing That Looks Good on Me Is You (from 1994 until 1996-03-16)
written in:
Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France
writer:
Bryan Adams (Canadian singer/songwriter) and Robert John “Mutt” Lange
publisher:
Out-of-Pocket Productions Ltd., Sony Music Publishing (UK) Ltd., Badams Music Limited (in 1996), Zomba Enterprises, Inc. (in 1996) and Zomba Music Publishing Ltd. (in 1996)
Bryan Adams4.53:35
43Rock and Roll All Nite
assistant engineer:
George Lopez (engineer)
engineer:
Dave Wittman
producer:
Neil Bogart and KISS (US rock band)
drums (drum set):
Peter Criss
electric bass guitar and lead vocals:
Gene Simmons (KISS bassist and vocalist)
electric guitar:
Ace Frehley (American rock guitarist) and Paul Stanley (KISS frontman)
background vocals:
Mick Campise, Lydia Criss, Mike McGurl, Rick Munroe, Peter “Moose” Oreckinto and JR Smalling
recorded at:
Larrabee Sound Studios (Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States (from 1975-01-24 until 1975-01-25) and Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1975-02-06 until 1975-02-25)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 404)
recording of:
Rock and Roll All Nite
writer:
Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (ended), Café Americana Inc. and Hori Productions America Inc.
sub-publisher:
大洋音楽
written at:
Continental Hyatt House in West Hollywood, California, United States
KISS4.22:51
44Losing My Religion
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass and keyboard:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
electric guitar and mandolin:
Peter Buck (R.E.M. guitarist)
guest acoustic guitar:
Peter Holsapple
vocals:
Mike Mills (R.E.M. bass player) and Michael Stipe
arranger:
Mike Mills (R.E.M. bass player)
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991)
music videos:
Losing My Religion (music video) by R.E.M.
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 112), Indie 88: Top 500 Indie Rock Songs (number: 115) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 169)
recording of:
Losing My Religion
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.354:28
45My Happiness
recording of:
My Happiness
writer:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug and Darren Middleton
Powderfinger44:37