The Very Best of Maria Callas

~ Release by Maria Callas (see all versions of this release, 2 available)

Tracklist

▼Digital Media 1
#TitleRatingLength
1Vissi d’arte (Tosca, Act II)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
3:02
2Un bel dì vedremo (Madama Butterfly, Act II)
producer:
Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
soprano vocals:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
4:43
3La mamma morta (Andrea Chénier, Act III)
engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Maddalena]:
Maria Callas (soprano) (from 1954-09-18 until 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-18 until 1954-09-20)
conductor:
Tullio Serafin (conductor) (from 1954-09-18 until 1954-09-20)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-18 until 1954-09-20)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-18 until 1954-09-20)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno
part of:
Andrea Chénier: Atto III
4:53
4Una voce poco fa (Il barbiere di Siviglia, Act I)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-21)
conductor:
Tullio Serafin (conductor) (on 1954-09-21)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-21)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (on 1954-09-21)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
6:52
5Compagne… Come per me sereno (La sonnambula, Act I)
soprano vocals:
Maria Callas (soprano) (in 1978)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1978)
conductor:
Tullio Serafin (conductor) (in 1978)
recording of:
La sonnambula: Atto I, scena 1. “Compagne, teneri amici… Come per me sereno” (Amina, Tutti) (in 1978)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
La sonnambula: Atto I
5:48
6Gualtier Maldè… Caro nome (Rigoletto, Act I)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Marullo]:
William Dickie (british bass-baritone) (from 1955-09-03 until 1955-09-16)
bass vocals [Ceprano]:
Carlo Forti (operatic bass) (from 1955-09-03 until 1955-09-16)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
soprano vocals [Gilda]:
Maria Callas (soprano) (from 1955-09-03 until 1955-09-16)
tenor vocals [Borsa]:
Renato Ercolani (tenor) (from 1955-09-03 until 1955-09-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
conductor:
Tullio Serafin (conductor) (from 1955-09-03 until 1955-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1956)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1955-09-03 until 1955-09-16)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
7:35
7Ah! fors’ è lui… (La Traviata, Act I)
soprano vocals:
Maria Callas (soprano)
conductor:
Franco Ghione (conductor, violinist and composer)
performer:
Orquestra Sinfónica do Teatro Nacional de São Carlos
live recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
3:21
8In quelle trine morbide (Manon Lescaut, Act II)
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1959)
conductor:
Tullio Serafin (conductor) (in 1959)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
2:53
9Sì. Mi chiamano Mimì (La bohème, Act I)
soprano vocals:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
4:50
10Donde lieta uscì (La bohème, Act III)
soprano vocals:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
3:22
11O mio babbino caro (Gianni Schicchi)
sound engineer, engineer and balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Lauretta]:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-15 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1954-09-15 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
2:35
12Ebben? ne andrò lontana (La Wally, Act I)
engineer and balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (on 1954-09-21, in 1955)
soprano vocals [Wally]:
Maria Callas (soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20, on 1954-09-21, in 1955) and Sinfonie‐Orchester der RAI Rom (in 1955)
conductor:
Tullio Serafin (conductor) (on 1954-09-20, on 1954-09-21, in 1955)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955) and Idol (Independent Distribution On Line) (in 2013)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20) and Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1954-09-20)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1954-09-21)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica
part of:
La Wally: Atto I
live recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1955)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1955)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica
part of:
La Wally: Atto I
4:49
13Ombra leggera (Shadow Song/Schatternarie/Air de l’ombre) (Dinorah, Act II)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-17 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-21)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah) (from 1954-09-17 until 1954-09-21)
composer:
Giacomo Meyerbeer (composer)
translated version of:
Dinorah: Acte II. "Ombre légère (Shadow Song)" (Dinorah)
5:42
14Signore, ascolta (Turandot, Act I)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Liù]:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-15, from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (on 1954-09-15, from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I
2:31
15In questa reggia (Turandot, Act II)
soprano vocals:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II
6:23
16Vogliatemi bene (Love Duet/Liebesduett/Duo d’amour) (Madama Butterfly, Act I)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Mario Borrelli
soprano vocals:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
7:23
▶Digital Media 2

Credits

Release

stream for free:https://www.deezer.com/album/299495 [info]