Compact Collection Classica

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

It's a serie rather than a release. Could anyone solve this problem?

Because there are two discs called 2 (disc 2 and disc 2: bis), the position of each subsequent disc is discnumber + 1. There are also some discs missing, but additional information could not be found.

Additional information is available on Discogs.

Annotation last modified on 2022-03-04 07:43 UTC.

Tracklist

▶CD 1: Ciaikovski: i capolavori
▶CD 2: Mozart: i capolavori
▶CD 3: Mozart: i capolavori
▶CD 4
▶CD 5
▶CD 6: Beethoven: i capolavori
▶CD 7
▶CD 8
▶CD 9
▶CD 10
▶CD 11
▶CD 12: Haydn
▶CD 13
▶CD 14
▶CD 15
▶CD 16
▶CD 18
▶CD 19
▶CD 20
▶CD 21
▶CD 22: Overtures (London Festival Orchestra)
▶CD 23
▶CD 24
▶CD 25
▶CD 26
▶CD 27
▶CD 28
▶CD 29
▶CD 30
▶CD 31: Schubert
▶CD 32
▶CD 34
▶CD 35
▶CD 36
▶CD 37
▶CD 38
▶CD 39
▶CD 40
▶CD 41
▶CD 43
▼CD 44
#TitleArtistRatingLength
1Carmen - Suite n. 1 - Preludio
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet1:22
2Carmen - Suite n. 1 - Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:14
3Carmen - Suite n. 1 - Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:41
4Carmen - Suite n. 1 - Seguidilla
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet1:53
5Carmen - Suite n. 1 - I Dragoni d'Alcalà
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:38
6Carmen - Suite n. 1 - I Toreador
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:20
7Carmen - Suite n. 2 - Marcia dei contrabbandieri
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III, No. 19. « Écoute, écoute, compagnon, écoute » (Les Contrebandiers, Mercédès, Frasquita, Carmen, Don José, Le Dancaïre, Le Remendado) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
Georges Bizet3:58
8Carmen - Suite n. 2 - Habanera
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen Suite no. 2
Georges Bizet42:12
9Carmen - Suite n. 2 - Notturno
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Georges Bizet4:10
10Carmen - Suite n. 2 - Canzone del Toreador
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet2:40
11Carmen - Suite n. 2 - La guardia montante
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: V. La Garde montante
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:53
12Carmen - Suite n. 2 - Danza spensierata
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:35
13L'Arlesiana - Suite n. 1 - Ouverture
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet6:43
14L'Arlesiana - Suite n. 1 - Minuetto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:45
15L'Arlesiana - Suite n. 1 - Adagietto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:52
16L'Arlesiana - Suite n. 1 - Carillon
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:51
17L'Arlesiana - Suite n. 2 - Pastorale
orchestra:
Orchestre radio symphonique de Paris
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz)
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:13
18L'Arlesiana - Suite n. 2 - Intermezzo
orchestra:
Orchestre radio symphonique de Paris
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:41
19L'Arlesiana - Suite n. 2 - Minuetto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:59
20L'Arlesiana - Suite n. 2 - Farandole
orchestra:
Orchestre radio symphonique de Paris
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:27
▶CD 45
▶CD 46
▶CD 47
▶CD 48
▶CD 49
▶CD 50
▶CD 51
▶CD 52
▶CD 53
▶CD 54
▶CD 55
▶CD 56
▶CD 57
▶CD 59
▶CD 60
▶CD 61
▶CD 62: Richard Strauss
▶CD 63
▶CD 64
▶CD 65
▶CD 66
▶CD 67
▶CD 68
▶CD 70
▶CD 71
▶CD 72
▶CD 73
▶CD 75
▶CD 76
▶CD 77
▶CD 78
▶CD 79
▶CD 80
▶CD 81