Elvis Presley (legacy edition of "Elvis Presley" and "Elvis")

~ Release by Elvis Presley (see all versions of this release, 16 available)

Tracklist

▶CD 1
▼CD 2
#TitleRatingLength
1Rip It Up
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-09-03)
cover recording of:
Rip It Up (on 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
4.51:55
2Love Me
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (on 1956-09-01)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (on 1956-09-01)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
42:46
3When My Blue Moon Turns to Gold Again
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1956-09-02)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
4.52:22
4Long Tall Sally
live cover recording of:
Long Tall Sally
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
cover recording of:
Long Tall Sally
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
41:54
5First in Line
recording of:
First in Line
composer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Rachel’s Own Music and Ross Jungnickel, Inc.
53:24
6Paralyzed
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-02)
drums (drum set):
D.J. Fontana (on 1956-09-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-02)
piano:
Gordon Stoker (on 1956-09-02)
additional performer:
The Jordanaires (on 1956-09-02)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-09-02)
recording of:
Paralyzed (on 1956-09-02)
composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
3.52:26
7So Glad You’re Mine
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
cover recording of:
So Glad You're Mine (on 1956-01-30)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
cover recording of:
So Glad You're Mine (in 1956-01)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
recording of:
So Glad You're Mine
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
32:22
8Old Shep
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley
publisher:
Westpar Music
54:10
9Ready Teddy
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-09-03)
cover recording of:
Ready Teddy (on 1956-09-03)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
41:57
10Anyplace Is Paradise
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
additional performer:
The Jordanaires (on 1956-09-03)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-09-03)
recording of:
Anyplace Is Paradise (on 1956-09-03)
lyricist and composer:
Joe Thomas (US songwriter)
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
42:27
11How’s the World Treating You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How’s the World Treating You (on 1956-09-01)
composer:
Chet Atkins and Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
42:26
12How Do You Think I Feel
cover recording of:
How Do You Think I Feel
composer:
Webb Pierce and Wiley Walker
42:13
13I Want You, I Need You, I Love You
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-04-14)
drums (drum set):
D.J. Fontana (on 1956-04-14)
guitar:
Chet Atkins (on 1956-04-14) and Scotty Moore (American guitarist and recording engineer) (on 1956-04-14)
piano:
Marvin Hughes (on 1956-04-14)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-04-14)
vocals:
Brock Speer (on 1956-04-14), Ben Speer (on 1956-04-14), Lena Brock "Mom" Speer (on 1956-04-14) and Gordon Stoker (on 1956-04-14)
phonographic copyright (℗) by:
BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2003)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-04-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 25)
recording of:
I Want You, I Need You, I Love You (on 1956-01-31)
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
recording of:
I Want You, I Need You, I Love You (on 1956-04-11)
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
cover recording of:
I Want You, I Need You, I Love You (on 1956-04-14)
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
52:41
14Hound Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
3.82:18
15Don’t Be Cruel
recording of:
Don’t Be Cruel
lyricist, writer and composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
2:05
16Any Way You Want Me (That’s How I Will Be)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
recording of:
Any Way You Want Me (on 1956-07-02)
writer:
Cliff Owens and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music and Ross Jungnickel, Inc.
2:16
17Too Much
cover recording of:
Too Much
writer:
Lee Rosenberg and Bernard Weinman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. and Southern Belle Music
2:35
18Playing for Keeps
recording of:
Playing for Keeps
lyricist and composer:
Stan Kesler
52:53
19Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
Elvis Presley (“The King of Rock and Roll”), Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 437)
recording of:
Love Me Tender (on 1956-08-24)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
recording of:
Love Me Tender (on 1956-09-01)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
42:43