The Complete Reprise Studio Recordings

~ Release by Frank Sinatra (see all versions of this release, 3 available)

Tracklist

CD 1
CD 2
CD 3
CD 4
CD 5
CD 6
CD 7
CD 8
CD 9
CD 10
CD 11
CD 12
CD 13
CD 14
CD 15
CD 16
CD 17
CD 18
CD 19
CD 20
#TitleRatingLength
1Monday Morning Quarterback
recorded in:
New York, New York, United States (on 1981-09-10)
producer:
Don Costa (US pop music arranger & producer)
brass:
Charles Turner (US jazz trumpeter) (on 1981-09-10)
cello:
Julius Ehrenwerth (on 1981-09-10), Jesse Levy (on 1981-09-10), Anthony Sophos (on 1981-09-10) and Frederick Zlotkin (cellist) (on 1981-09-10)
double bass:
Frank Bruno (bass) (on 1981-09-10), Gene Cherico (on 1981-09-10) and John Miller (bassist and music contractor/coordinator) (on 1981-09-10)
drums (drum set):
Irv Cottler (on 1981-09-10)
French horn:
Joseph de Angelis (on 1981-09-10), Donald Corrado (on 1981-09-10) and Sharon Moe (on 1981-09-10)
guitar:
Tony Mottola (on 1981-09-10)
harp:
Nanette Norton Kramer (on 1981-09-10)
percussion:
Ted Sommer (on 1981-09-10)
piano:
Vincent Falcone, Jr. (on 1981-09-10)
viola:
George Brown (American pop violinist) (on 1981-09-10), Harold Coletta (on 1981-09-10), Theodore Israel (on 1981-09-10), Vincent Liota (on 1981-09-10), Richard Maximoff (on 1981-09-10) and Mitsue Takayama (violinist/violist/cellist) (on 1981-09-10)
violin:
Anahid Ajemian (on 1981-09-10), Sanford Allen (on 1981-09-10), Lamar Alsop (on 1981-09-10), Frederick Buldrini (on 1981-09-10), Peter Buonconsiglio (on 1981-09-10), Peter Dimitriades (on 1981-09-10), Winterton Garvey (on 1981-09-10), Max Hollander (on 1981-09-10), Stanley Hunte (on 1981-09-10), Elliot Magaziner (on 1981-09-10), Carmel Malin (on 1981-09-10), Joe Malin (on 1981-09-10), Pamela Posk (on 1981-09-10), Tony Posk (on 1981-09-10), Secondo Proto (on 1981-09-10) and Gerald Tarack (on 1981-09-10)
woodwind:
Sidney Cooper (on 1981-09-10), Wally Kane (on 1981-09-10), Bernie Kaufman (on 1981-09-10), Al Klink (on 1981-09-10), Sol Schlinger (saxophone, jazz) (on 1981-09-10) and Robert Steen (on 1981-09-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1981-09-10)
conductor:
Gordon Jenkins (on 1981-09-10)
arranger:
Gordon Jenkins
recorded at:
Columbia Studios in New York, New York, United States (on 1981-09-10)
recording of:
Monday Morning Quarterback (on 1981-09-10)
lyricist:
Pamela Phillips‐Oland
composer:
Don Costa (US pop music arranger & producer)
publisher:
WB Music Corp. (1929–2019)
4:38
2Hey Look, No Crying
recorded in:
New York, New York, United States (on 1981-09-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1981-09-10)
arranger:
Gordon Jenkins
recording of:
Hey Look, No Cryin' (on 1981-09-10)
lyricist:
Susan Birkenhead
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
5:27
3To Love a Child
recorded in:
Hollywood, Los Angeles, California, United States (on 1981-12-05)
vocals:
Nikki Costa (on 1981-12-05) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1981-12-05)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
To Love a Child (on 1981-12-05)
lyricist:
Hal David
composer:
Joe Raposo (piano, composer)
publisher:
Casa David and Instructional Children’s Music Inc.
3:22
4Love Makes Us Whatever We Want to Be
recorded in:
New York, New York, United States (on 1982-08-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1982-08-17)
arranger:
Billy May
recording of:
Love Makes Us Whatever We Want to Be (on 1982-08-17)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
2:39
5Searching
recorded in:
New York, New York, United States (on 1982-08-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1982-08-17)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Searching (on 1982-08-17)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:48
6Here’s to the Band
recorded in:
New York, New York, United States (on 1983-01-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1983-01-25)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
Here's to the Band (on 1983-01-25)
writer:
Sharman Howe, Alfred Nittoli and Arthur Schroeck
publisher:
EMI Algee Music Corp. and Saloon Songs Inc.
4:11
7All the Way Home
recorded in:
New York, New York, United States (on 1983-01-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1983-01-25)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
All the Way Home (on 1983-01-25)
lyricist and composer:
Teddy Randazzo
publisher:
Saloon Songs Inc. and Teddy Randazzo Music
3:54
8It’s Sunday
recorded in:
Los Angeles, California, United States (on 1983-02-28)
guitar:
Tony Mottola (on 1983-02-28)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1983-02-28)
arranger:
Tony Mottola
recording of:
It's Sunday (on 1983-02-28)
lyricist:
Susan Birkenhead
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA), Saloon Songs Inc., Unichappell Music and WB Music Corp. (1929–2019)
3:37
9L.A. Is My Lady
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
percussion:
Ralph MacDonald (on 1984-04-13)
solo electric piano:
Bob James (US jazz keyboardist, arranger and producer) (on 1984-04-13)
solo guitar:
George Benson (jazz guitarist/singer) (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) and Torrie Zito
recording of:
L.A. Is My Lady (on 1984-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Quincy Jones and Peggy Lipton
publisher:
Rashida Music, Threesome Music Company and Yellowbrick Road Music
53:14
10Until the Real Thing Comes Along
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo trumpet [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Sammy Nestico
cover recording of:
Until the Real Thing Comes Along (on 1984-04-13)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:05
11After You’ve Gone
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
guitar:
George Benson (jazz guitarist/singer) (on 1984-04-13)
solo vibraphone [Vibes]:
Lionel Hampton (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Frank Foster (saxophonist)
cover recording of:
After You’ve Gone (on 1984-04-13)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:18
12The Best of Everything
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer and mixer:
Phil Ramone
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
solo alto saxophone:
Frank Wess (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
The Best of Everything (from 1984-04-13 until 1984-05-17)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Fiddleback Music Publishing Co., Inc. and Kander & Ebb, Inc.
recording of:
The Best of Everything (on 1984-04-16)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Fiddleback Music Publishing Co., Inc. and Kander & Ebb, Inc.
2:48
13It’s All Right With Me
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo guitar:
George Benson (jazz guitarist/singer) (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1984-04-16)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:41
14A Hundred Years From Today
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo trombone:
Urbie Green (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
A Hundred Years From Today (from 1984-04-13 until 1984-05-17)
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
cover recording of:
A Hundred Years From Today (on 1984-04-16)
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
3:09
15How Do You Keep the Music Playing?
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
piano:
Joe Parnello (American pianist, conductor and arranger) (on 1984-04-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Joe Parnello (American pianist, conductor and arranger)
cover recording of:
How Do You Keep the Music Playing? (from 1984-04-13 until 1984-05-17)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
cover recording of:
How Do You Keep the Music Playing? (on 1984-04-17)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
3:54
16Teach Me Tonight
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Torrie Zito
cover recording of:
Teach Me Tonight (from 1984-04-13 until 1984-05-17)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, ティー・アール・オー・エセックス・ジャパン A事業部, 日音 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
cover recording of:
Teach Me Tonight (on 1984-04-17)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, ティー・アール・オー・エセックス・ジャパン A事業部, 日音 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:47
17If I Should Lose You
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (from 1984-04-13 until 1984-05-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Sammy Nestico
cover recording of:
If I Should Lose You (from 1984-04-13 until 1984-05-17)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
cover recording of:
If I Should Lose You (on 1984-04-17)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:39
18Stormy Weather
recorded in:
Los Angeles, California, United States (on 1984-05-17)
recording engineer:
Steve Crimmel (on 1984-05-17), Mark Ettel (on 1984-05-17) and Phil Ramone (on 1984-05-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo guitar:
Lee Ritenour (on 1984-05-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-05-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-05-17)
conductor:
Quincy Jones (on 1984-05-17)
arranger:
Sammy Nestico
cover recording of:
Stormy Weather (from 1984-04-13 until 1984-05-17)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
cover recording of:
Stormy Weather (on 1984-05-17)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:41
19Mack the Knife
recorded in:
Los Angeles, California, United States (on 1986-10-30)
recording engineer and mixer:
Phil Ramone
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
solo guitar:
George Benson (jazz guitarist/singer) (on 1986-10-30)
solo trombone:
Urbie Green (on 1986-10-30)
solo trumpet [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (on 1986-10-30)
vibraphone [vibes]:
Lionel Hampton (on 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1986-10-30)
orchestra and performer:
Quincy Jones and His Orchestra (on 1986-10-30)
conductor:
Quincy Jones (on 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1986-10-30)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
4:53
20The Girls I Never Kissed
recorded in:
Los Angeles, California, United States (on 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1986-10-30)
arranger:
Billy May
recording of:
The Girls I Never Kissed (on 1986-10-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music and Sony/ATV Songs LLC
3:32
21Only One to a Customer
bass:
Jim Hughart (on 1986-10-30)
cello:
Virginia Burward-Hoy (cellist) (on 1986-10-30), Ernest Ehrhardt (on 1986-10-30), Raymond Kelley (on 1986-10-30) and Frederick Seykora (on 1986-10-30)
drums (drum set):
Irv Cottler (on 1986-10-30)
French horn:
Ron Loofbourrow (on 1986-10-30), Ralph Pollock (on 1986-10-30) and Henry Sigismonti (on 1986-10-30)
guitar:
Ron Anthony (on 1986-10-30)
harp:
Gayle Levant (on 1986-10-30)
percussion:
Victor Feldman (jazz musician) (on 1986-10-30)
piano:
Bob Florence (on 1986-10-30)
trombone:
Les Benedict (on 1986-10-30), Dick Hyde (on 1986-10-30), Charles Loper (on 1986-10-30) and Dick Noel (trombone) (on 1986-10-30)
trumpet:
Charles Davis (trumpet player) (on 1986-10-30), Walter Johnson (trumpeter) (on 1986-10-30), John Madrid (on 1986-10-30) and Frank Szabo (on 1986-10-30)
viola:
Marilyn Baker (on 1986-10-30), Kenneth Burward‐Hoy (on 1986-10-30), Pamela Goldsmith (on 1986-10-30) and Gareth Nuttycombe (violist) (on 1986-10-30)
violin:
Israel Baker (violinist) (on 1986-10-30), Arnold Belnick (on 1986-10-30), Assa Drori (on 1986-10-30), Henry Ferber (on 1986-10-30), Reginald Hill (British‐American violinist) (on 1986-10-30), Bill Hybel (on 1986-10-30), Kathleen Lenski (on 1986-10-30), Gordon Marron (on 1986-10-30), Wilbert Nuttycombe (strings) (on 1986-10-30), Donald Palmer (US violinist and concertmaster) (on 1986-10-30), Mari Tsumura (on 1986-10-30) and Shari Zippert (Violinist) (on 1986-10-30)
woodwind:
Jeff Clayton (saxophonist and flautist) (on 1986-10-30), Bob Cooper (US jazz saxophonist) (on 1986-10-30), Daniel Higgins (on 1986-10-30), Jack Nimitz (on 1986-10-30) and Wilbur Schwartz (on 1986-10-30)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1986-10-30)
conductor:
Bill Miller (pianist) (on 1986-10-30)
arranger:
Billy May
recorded at:
Evergreen Recording Studios in Burbank, California, United States (on 1986-10-30)
recording of:
Only One to a Customer (on 1986-10-30)
lyricist:
Carolyn Leigh
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
2:48
22My Foolish Heart
recorded in:
Hollywood, Los Angeles, California, United States (on 1988-06-06)
solo trumpet:
Jack Sheldon (on 1988-06-06)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1988-06-06)
arranger:
Billy May
edit of:
My Foolish Heart (original studio master) by Frank Sinatra
recording of:
My Foolish Heart (on 1988-06-06)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
2:47

Credits

Release

manufactured in:United States
art direction and design:Tom Recchion
JoDee Stringham
photography:Ed Thrasher (US art director & photographer)
liner notes:Charles Pignone
Jonathan Schwartz (vocalist)
additional engineer:Keith Blake (mastering engineer)
producer:Gregg Geller
Lee Herschberg
Joe McEwen
Ric Ross
mastering:Lee Herschberg
copyrighted (©) by:Reprise Records (in 1995, in 1998)
phonographic copyright (℗) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (from 1972 until 1977, from 1980 until 1983)
Bristol Productions (in 1984)
Qwest Records (in 1984)
Reprise Records (from 1991 until 1992, in 1995)
Discogs:https://www.discogs.com/release/5374473 [info]
ASIN:US: B00000DG1M [info]
DE: B00000DG1M [info]

Release Group

Discogs:https://www.discogs.com/master/655651 [info]
Wikidata:Q7727180 [info]