NOW That’s What I Call Massive Hits & #1s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Digital Media 1
Digital Media 2
#TitleArtistRatingLength
1Bad Habits
Ed Sheeran3:51
2Forget Me
engineer:
Chris Bishop (engineer) and Jonathan Gilmore (drums (drum set) [drums])
producer:
Lewis Capaldi and TMS (UK songwriting/production team)
assistant mixer:
Matt Wolach
mixer:
Spike Stent (producer, engineer)
additional drums (drum set) [drums]:
Tom Barnes
additional guitar:
Leo Abrahams, Lewis Capaldi and Philip Plested (British singer-songwriter Phil Plested)
bass:
John Garrison (Johnny Vic)
drums (drum set) [drums (live)]:
Freddy Sheed
guitar:
Vern Asbury
piano:
Michael Pollack (songwriter)
synthesizer [synths]:
Ben Kohn
background vocals:
Nick Atkinson (member of Rooster) and Ben Kohn
vocals:
Lewis Capaldi
recording of:
Forget Me
writer:
Lewis Capaldi, Philip Plested (British singer-songwriter Phil Plested), Michael Pollack (songwriter) and Tom Barnes
Lewis Capaldi43:23
3WonderwallOasis4.14:19
4Paradise
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2011) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
Paradise (music video) by Coldplay
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012)
recording of:
Paradise (Coldplay song)
lyricist and composer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
additional composer:
Brian Eno
Coldplay3.154:39
5Moves Like Jagger
recording of:
Moves like Jagger
writer:
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik and Shellback
Maroon 5 & Christina Aguilera3:21
6bad guy
recorded in:
Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
additional producer:
Billie Eilish
producer:
FINNEAS
assistant mixer:
Casey Cuayo
mixer:
Rob Kinelski
field recordings:
Billie Eilish
phonographic copyright (℗) by:
Darkroom (a division of Interscope Records, Inc.) (in 2019, in 2022) and Interscope Records (in 2019, in 2022)
recorded at:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California, United States
music videos:
bad guy (music video) by Billie Eilish
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 4), Grammy Award: Record of the Year nominees (number: 2020 winner), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Stereogum: The 200 Best Songs of the 2010s (number: 27), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 97) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 178)
recording of:
bad guy
writer:
Billie Eilish O’Connell and Finneas O’Connell
publisher:
Drup, Last Frontier and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
lyrics quoted on:
goodbye
Billie Eilish43:14
7New Rules
programming, engineer and producer:
Ian Kirkpatrick (producer/songwriter)
mixer:
Josh Gudwin
lead vocals:
Dua Lipa
phonographic copyright (℗) by:
Dua Lipa Limited (in 2017)
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 1) and Stereogum: The 200 Best Songs of the 2010s (number: 114)
recording of:
New Rules
writer:
Caroline Ailin, Ian Kirkpatrick (producer/songwriter) and Emily Warren
Dua Lipa3.43:29
8Call Me MaybeCarly Rae Jepsen4.053:14
9One Way or Another (Teenage Kicks)One Direction3.52:37
10Spice Up Your Life
Spice Girls2:54
11Shout Out to My Ex
programming:
Edvard Førre Erfjord and Henrik Michelsen
assistant engineer:
Alex Reid
engineer:
Chris Bishop (engineer), Electric (producer duo), John Hanes (audio engineer, mixer) and Maegan Cottone
producer:
Electric (producer duo) and Maegan Cottone
mixer:
Serban Ghenea
instruments:
Edvard Førre Erfjord and Henrik Michelsen
additional vocals and other vocals [human beatbox]:
Camille Purcell (Camille Purcell)
vocals:
Perrie Edwards, Jesy Nelson, Leigh-Anne Pinnock and Jade Thirlwall
performer:
Little Mix (girl group)
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2017), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2021) and Warner Music UK Limited (not for release label use!) (in 2021)
recording of:
Shout Out to My Ex
writer:
Camille Purcell (Camille Purcell), Perrie Edwards, Edvard Førre Erfjord, Henrik Michelsen, Iain James, Jesy Nelson, Leigh-Anne Pinnock and Jade Thirlwall
Little Mix44:06
12Don’t Cha
The Pussycat Dolls4:02
13It’s Like That
Run‐D.M.C. VS Jason Nevins4:10
14I Want You Back
The Jackson 52:59
15You Can’t Hurry Love
The Supremes2:45
16Yester-Me, Yester-You, Yesterday
Stevie Wonder3:05
17Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated) and PolyGram Music Publishing Ltd.
Natalie Imbruglia4.14:05
18Run
engineer:
Jonathan Shakhovskoy
producer:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
bass:
Jon Garrison (Johnny Vic)
drums (drum set) [drums] and percussion:
Karl Brazil (UK drummer/songwriter)
guitar:
Luke Potashnick (British guitarist)
Hammond organ [Hammond]:
Paul Beard (keyboard player)
piano:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
background vocals:
Alani Gibbon, Chris Ballin, Beverley Brown, Lauraine Bristol, Carmen Reece, Marvin Cotterell, Jewell Elliott, Lincoln Jean-Marie, Ladonna Harley Peters, Joy Malcolm and Vula Malinger
strings arranger:
Will Malone
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2008)
mixed for:
365 Artists
mixed at:
Twenty-One Studios in London (Greater London), England, United Kingdom
cover recording of:
Run
lyricist:
Gary Lightbody
composer:
Iain Archer, Nathan Connolly, Gary Lightbody, Mark McClelland and Jonny Quinn
publisher:
Big Life Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing BL Limited
Leona Lewis45:15
19How Deep Is Your Love
Take That3:41
20God Only Knows
The Beach Boys2:56
21Suspicious Minds
engineer:
Al Pachucki
assistant producer:
Hugo "Wedge Montecristo" Bombardier
producer:
Felton Jarvis, Chips Moman and Erich Van Tourneau
mixer:
Brendan O’Brien (engineer)
bass:
Erich Van Tourneau, Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
electric guitar:
Martin Bachand, JS "The Flash" Chouinard, Steve Nadeau and Mike Plant
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
guest vocals:
Stacie Tabb
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
additional arranger:
Hugo "Wedge Montecristo" Bombardier
arranger:
Mike Leech, Glen Spreen and Erich Van Tourneau
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23), United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07), Honolulu International Center in Honolulu, Hawaii, United States (on 1973-01-14) and Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, United States (on 1973-01-14)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
live cover recording of:
Suspicious Minds (on 1973-01-14)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
Elvis Presley44:29
Digital Media 3
Digital Media 4