Complete Live at The Crescendo 1958 (Limited Edition)

~ Release by Count Basie & His Atomic Band (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▼CD 3
#TitleRatingLength
1Corner Pocket (No. 1)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Corner Pocket (from 1958-06-24 until 1958-07-02)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Freddie Green
publisher:
Longitude Music
5:12
2My Baby Upsets Me
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
lead vocals:
Joe Williams (US jazz vocalist) (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
My Baby Upsets Me (from 1958-06-24 until 1958-07-02)
writer:
Joe Williams (US jazz vocalist)
3:54
3Cherry Point
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Cherry Point (from 1958-06-24 until 1958-07-02)
composer and arranger:
Neal Hefti
4:53
4Every Day
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
lead vocals:
Joe Williams (US jazz vocalist) (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Every Day (from 1958-06-24 until 1958-07-02)
composer:
Peter Chatman
5:03
5How High the Moon (No. 1)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
How High the Moon (from 1958-06-24 until 1958-07-02)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:36
6Five O'clock in the Morning (No. 1)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
lead vocals:
Joe Williams (US jazz vocalist) (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Five O'clock in the Morning (from 1958-06-24 until 1958-07-02)
lyricist and composer:
Joe Williams (US jazz vocalist)
3:14
7Blue on Blue (No. 2)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Blue on Blue (No. 2) (from 1958-06-24 until 1958-07-02)
composer:
Count Basie (pianist) and Frank Wess
3:10
8The Comeback
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
lead vocals:
Joe Williams (US jazz vocalist) (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
The Comeback (from 1958-06-24 until 1958-07-02)
composer:
Charles Frazier and Memphis Slim
4:04
9Whirly-Bird (No. 2)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Whirly-bird (from 1958-06-24 until 1958-07-02)
composer and arranger:
Neal Hefti
3:30
10Thou Swell (No. 1)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
lead vocals:
Joe Williams (US jazz vocalist) (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Thou Swell (from 1958-06-24 until 1958-07-02)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
1:52
11Teach Me Tonight
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
lead vocals:
Joe Williams (US jazz vocalist) (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Teach Me Tonight (from 1958-06-24 until 1958-07-02)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, ティー・アール・オー・エセックス・ジャパン A事業部, 日音 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:00
12Moten Swing (No. 2)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Moten Swing (from 1958-06-24 until 1958-07-02)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
5:33
13Pigalle Love
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
lead vocals:
Joe Williams (US jazz vocalist) (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Pigalle Love (from 1958-06-24 until 1958-07-02)
composer:
Peter Chatman
3:56
14One O'clock Jump (No. 2)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
One O’Clock Jump (from 1958-06-24 until 1958-07-02)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
1:34
15G'wan Away
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
G'wan Away (from 1958-06-24 until 1958-07-02)
composer:
Count Basie (pianist)
4:05
16Yogi (Aka Yohl)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Yogi (Aka Yohl) (from 1958-06-24 until 1958-07-02)
composer:
Count Basie (pianist)
3:20
17Bag-a-Bones (no. 1)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Bag-A' Bones (from 1958-06-24 until 1958-07-02)
composer and arranger:
Neal Hefti
2:42
18One O'clock Jump (No. 3)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
One O’Clock Jump (from 1958-06-24 until 1958-07-02)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
0:56
19Spring Is Here (No. 1)
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Spring Is Here (from 1958-06-24 until 1958-07-02)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:34
20Baby, Baby All the Time
baritone saxophone:
Charlie Fowlkes (from 1958-06-24 until 1958-07-02)
double bass:
Eddie Jones (US jazz double bassist) (from 1958-06-24 until 1958-07-02)
drums (drum set):
Sonny Payne (from 1958-06-24 until 1958-07-02)
guitar:
Freddie Green (from 1958-06-24 until 1958-07-02)
piano:
Count Basie (pianist) (from 1958-06-24 until 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-06-24 until 1958-07-02) and Billie Mitchell (from 1958-06-24 until 1958-07-02)
trombone:
Henry Coker (from 1958-06-24 until 1958-07-02), Al Grey (trombone) (from 1958-06-24 until 1958-07-02) and Benny Powell (from 1958-06-24 until 1958-07-02)
trumpet:
Wendell Culley (from 1958-06-24 until 1958-07-02), Thad Jones (from 1958-06-24 until 1958-07-02), Joe Newman (US jazz trumpeter) (from 1958-06-24 until 1958-07-02) and Snooky Young (from 1958-06-24 until 1958-07-02)
phonographic copyright (℗) by:
Phono (Jazz Label) (in 2016)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (from 1958-06-24 until 1958-07-02)
recording of:
Baby Baby All the Time (from 1958-06-24 until 1958-07-02)
lyricist and composer:
Bobby Troup
2:56
▶CD 4
▶CD 5

Credits

Release

liner notes:Matias Rinar (in 2016)
alto saxophone:Marshall Royal
Frank Wess
clarinet:Marshall Royal
flute and tenor saxophone:Frank Wess
copyrighted (©) by:Phono (Jazz Label) (in 2016)
ASIN:UK: B01BMPJ4BW [info]