Carmen / L'Arlésienne (Suites) (London Symphony Orchestra)

~ Release by Georges Bizet (see all versions of this release, 4 available)

Tracklist

▼CD 1
#	Title	Rating	Length
1	Carmen Suite No. 1: Prelude orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato composer: Georges Bizet (composer) part of: Carmen Suite no. 1		1:22
2	Carmen Suite No. 1: Aragonaise orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) composer: Georges Bizet (composer) is based on: Carmen : Acte III. Entr’acte (intermission between Acts III & IV) part of: Carmen Suite no. 1		2:14
3	Carmen Suite No. 1: Intermezzo orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) composer: Georges Bizet (composer) is based on: Carmen : Acte II. Entr’acte (intermission between Acts II & III) part of: Carmen Suite no. 1		2:41
4	Carmen Suite No. 1: Seguidille orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) part of: Carmen Suite no. 1		1:54
5	Carmen Suite No. 1: The Soldiers of Alcala orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) composer: Georges Bizet (composer) is based on: Carmen : Acte I. Entr’acte (intermission between Acts I & II) part of: Carmen Suite no. 1		1:37
6	Carmen Suite No. 1: The Toreadors orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet (composer) is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1		2:19
7	Carmen Suite No. 2: Marche of the Smugglers orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: I. Marche des contrebandiers composer: Georges Bizet (composer) is based on: Carmen : Acte III, No. 19. « Écoute, écoute, compagnon, écoute » (Les Contrebandiers, Mercédès, Frasquita, Carmen, Don José, Le Dancaïre, Le Remendado) (Chœur des contrebandiers) part of: Carmen Suite no. 2		3:58
8	Carmen Suite No. 2: Habanera orchestra: Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) part of: Carmen Suite no. 2	4	2:10
9	Carmen Suite No. 2: Nocturne orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: III. Nocturne composer: Georges Bizet (composer) is based on: Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla) part of: Carmen Suite no. 2		4:10
10	Carmen Suite No. 2: The Toreador Song orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: IV. Chanson du toréador composer: Georges Bizet (composer) is based on: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”) part of: Carmen Suite no. 2		2:40
11	Carmen Suite No. 2: Children's Chorus orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: V. La Garde montante composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) part of: Carmen Suite no. 2		3:51
12	Carmen Suite No. 2: Bohemian Dance orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 2: VI. Danse bohème composer: Georges Bizet (composer) is based on: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) part of: Carmen Suite no. 2		4:33
13	L'Arlésienne Suite No. 1: I. Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz recording of: L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) composer: Georges Bizet (composer) (in 1872) part of: L’Arlésienne Suite no. 1, op. 23bis (for orchestra)		6:42
14	L'Arlésienne Suite No. 1: II. Minuetto orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz recording of: L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) composer: Georges Bizet (composer) (in 1872) part of: L’Arlésienne Suite no. 1, op. 23bis (for orchestra)		2:45
15	L'Arlésienne Suite No. 1: III. Adagietto orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz recording of: L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) composer: Georges Bizet (composer) (in 1872) part of: L’Arlésienne Suite no. 1, op. 23bis (for orchestra)		2:52
16	L'Arlésienne Suite No. 1: IV. Carillon orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz recording of: L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) composer: Georges Bizet (composer) (in 1872) part of: L’Arlésienne Suite no. 1, op. 23bis (for orchestra)		4:45