Die Entführung aus dem Serail

~ Release by Mozart; Dawson, Heilmann, Hirsti, Gahmlich, Von Kannen, Hinze, Academy of Ancient Music & Chorus, Christopher Hogwood (see all versions of this release, 2 available)

Annotation

Cast

Konstanze: Lynne Dawson
Blonde: Marianne Hirsti
Belmonte: Uwe Heilmann
Pedrillo: Wilfried Gahmlich
Osmin: Gunther von Kannen
Selim: Wolfgang Hinze
Janitscharen: Lorna Anderson, Susan Bickley, Paul Badley, Jonathan Best

Gefolge des Bassa, Wachen

Recording location: Walthamstow Assembly Hall, London, January 1990

For performer AR's, cast and recording data see disc 1.

Annotation last modified on 2007-07-25 11:57 UTC.

Tracklist

▼CD 1
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Ouvertüre
producer:
Peter Wadland
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:15
2Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte)
producer:
Peter Wadland
tenor vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:56
3Die Entführung aus dem Serail, K. 384: Act I, Scene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) / Act I. Scene II. No. 2 Lied und Duetto "Wer ein Liebchen hat gefunden" (Osmin, Belmonte)
producer:
Peter Wadland
bass vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
spoken vocals [Belmonte] and tenor vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:41
4Die Entführung aus dem Serail, K. 384: Act I, Scene III. Dialog "Könnt'ich mir noch so einen Schurken" (Osmin, Pedrillo)
producer:
Peter Wadland
spoken vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:47
5Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin)
producer:
Peter Wadland
bass vocals [Osmin] and spoken vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:11
6Die Entführung aus dem Serail: Aufzug I. "Geh' nur, verwünschter Aufpasser" (Pedrillo, Belmonte)
producer:
Peter Wadland
spoken vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:32
7Die Entführung aus dem Serail: Aufzug I. "Konstanze, dich wiederzusehen, dich!" (Belmonte)
producer:
Peter Wadland
tenor vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:18
8Die Entführung aus dem Serail: Aufzug I. "Geschwind, geschwind auf die Seite und versteckt!" (Pedrillo)
producer:
Peter Wadland
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:58
9Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen)
producer:
Peter Wadland
choir vocals [Chor der Janitscharen]:
Academy of Ancient Music Chorus (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:37
10Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze)
producer:
Peter Wadland
spoken vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
spoken vocals [Selim]:
Wolfgang Hinze (German actor & director) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:09
11Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze)
producer:
Peter Wadland
soprano vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:09
12Die Entführung aus dem Serail: Aufzug I. "Ach, ich sagt' es wohl, du würdest mich hassen" (Konstanze, Selim, Pedrillo, Osmin, Belmonte)
producer:
Peter Wadland
spoken vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
spoken vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
spoken vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
spoken vocals [Selim]:
Wolfgang Hinze (German actor & director) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart3:52
13Die Entführung aus dem Serail: Aufzug I. "Marsch! Marsch! Marsch!" (Osmin, Belmonte, Pedrillo)
producer:
Peter Wadland
bass vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
tenor vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
tenor vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:18
14Die Entführung aus dem Serail: Aufzug II. "O des Zankens, Befehlens und Murrens wird auch kein Ende!" - "Durch Zärtlichkeit und Schmeicheln" (Blonde)
producer:
Peter Wadland
soprano vocals [Blonde] and spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:56
15Die Entführung aus dem Serail: Aufzug II. "Ei, seht doch mal, was das Mädchen vorschreiben kann!" (Osmin, Blonde)
producer:
Peter Wadland
spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
spoken vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "Ei seht doch mal" (Osmin, Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:17
16Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde)
producer:
Peter Wadland
bass vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
soprano vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:34
17Die Entführung aus dem Serail: Aufzug II. "Wie traurig das gute Mädchen daherkommt!" - "Welcher Wechsel herrscht in meiner Seele" (Blonde, Konstanze)
producer:
Peter Wadland
soprano vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Wie traurig das gute Mädchen daherkommt!" (Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:19
18Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze)
producer:
Peter Wadland
soprano vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart7:25
19Die Entführung aus dem Serail: Aufzug II. "Ach, mein bestes Fräulein, noch immer so traurig?" (Blonde, Konstanze, Selim)
producer:
Peter Wadland
spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
spoken vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
spoken vocals [Selim]:
Wolfgang Hinze (German actor & director) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Ach mein bestes Fräulein" (Blonde, Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Christoph Friedrich Bretzner
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:41
20Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
producer:
Peter Wadland
soprano vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:35
▶CD 2

Credits

Release

orchestra:Academy of Ancient Music
conductor:Christopher Hogwood (conductor, harpsichordist)
chorus master:Simon Halsey (conductor)
bass vocals:Günter von Kannen (bass-baritone)
choir vocals:Academy of Ancient Music Chorus
other vocals:Wolfgang Hinze (German actor & director)
soprano vocals:Lynne Dawson (soprano)
Marianne Hirsti (soprano)
tenor vocals:Wilfried Gahmlich (tenor)
Uwe Heilmann (tenor)
vocals:Lorna Anderson (soprano)
Paul Badley (Tenor vocalist)
Jonathan Best (operatic bass)
Susan Bickley (mezzo-soprano)
part of:Double Decca (order: 63)
ASIN:UK: B00008Y4IK [info]
discography entry:http://www.deccaclassics.com/en/cat/4738042 [info]