Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

▶CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
▶CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
▶CD 3: Cantatas 182, 12, 54, 172 (1714)
▶CD 4: Cantatas 21, 199 (1714)
▶CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
▶CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
▶CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
▶CD 8: Cantatas 75, 76, 24 (1723)
▶CD 9: Cantatas 167, 147, 186, 136 (1723)
▶CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
▶CD 11: Cantatas 77, 25, 119, 138 (1723)
▶CD 12: Cantatas 95, 148, 48, 109 (1723)
▼CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
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1Was soll ich aus dir machen, Ephraim, BWV 89: 1. Aria: Was soll ich aus dir machen, Ephraim?
bass vocals:
Peter Harvey (bass-baritone) (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (on 2000-11-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
3:56
2Was soll ich aus dir machen, Ephraim, BWV 89: 2. Recitative: Ja, freilich sollte Gott
alto vocals:
Robin Tyson (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (on 2000-11-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
0:45
3Was soll ich aus dir machen, Ephraim, BWV 89: 3. Aria: Ein unbarmherziges Gerichte
alto vocals:
Robin Tyson (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (on 2000-11-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
2:28
4Was soll ich aus dir machen, Ephraim, BWV 89: 4. Recitative: Wohlan! mein Herze legt Zorn, Zank und
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (on 2000-11-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
1:07
5Was soll ich aus dir machen, Ephraim, BWV 89: 5. Aria: Gerechter Gott, ach rechnest du?
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (on 2000-11-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
2:14
6Was soll ich aus dir machen, Ephraim, BWV 89: 6. Chorale: Mir mangelt zwar sehr viel
choir vocals:
Monteverdi Choir (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (on 2000-11-17)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
0:55
7O Ewigkeit, du Donnerwort, BWV 60: 1. Aria [& Chorale]: O Ewigkeit, du Donnerwort
producer:
Uli Schneider (producer/engineer)
countertenor vocals:
Robin Blaze (countertenor) (from 2000-09-16 until 2000-09-20)
tenor vocals:
Gerd Türk (German tenor) (from 2000-09-16 until 2000-09-20)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (from 2000-09-16 until 2000-09-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
4:19
8O Ewigkeit, du Donnerwort, BWV 60: 2. Recitative: O schwerer Gang zum letzten Kampf und Streite!
producer:
Uli Schneider (producer/engineer)
countertenor vocals:
Robin Blaze (countertenor) (from 2000-09-16 until 2000-09-20)
tenor vocals:
Gerd Türk (German tenor) (from 2000-09-16 until 2000-09-20)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (from 2000-09-16 until 2000-09-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
2:04
9O Ewigkeit, du Donnerwort, BWV 60: 3. Aria: Mein letztes Lager will mich schrecken
producer:
Uli Schneider (producer/engineer)
countertenor vocals:
Robin Blaze (countertenor) (from 2000-09-16 until 2000-09-20)
tenor vocals:
Gerd Türk (German tenor) (from 2000-09-16 until 2000-09-20)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (from 2000-09-16 until 2000-09-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
3:02
10O Ewigkeit, du Donnerwort, BWV 60: 4. Recitative: Der Tod bleibt doch der menschlichen Natur verhasst
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2000-09-16 until 2000-09-20)
countertenor vocals:
Robin Blaze (countertenor) (from 2000-09-16 until 2000-09-20)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (from 2000-09-16 until 2000-09-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
4:20
11O Ewigkeit, du Donnerwort, BWV 60: 5. Chorale: Es ist genung
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (from 2000-09-16 until 2000-09-20)
lyricist:
Franz Joachim Burmeister (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
1:25
12Es reißet euch ein schrecklich Ende, BWV 90: 1. Aria: Es reißet euch ein schrecklich Ende
tenor vocals:
James Gilchrist (tenor) (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche (Potsdam) in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (on 2000-10-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
6:07
13Es reißet euch ein schrecklich Ende, BWV 90: 2. Recitative: Des Höchsten Güte wird von Tag zu Tage neu
alto vocals:
William Towers (Countertenor) (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche (Potsdam) in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (on 2000-10-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
1:25
14Es reißet euch ein schrecklich Ende, BWV 90: 3. Aria: So löschet im Eifer der rächende Richter
bass vocals:
Peter Harvey (bass-baritone) (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche (Potsdam) in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (on 2000-10-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
3:22
15Es reißet euch ein schrecklich Ende, BWV 90: 4. Recitative: Doch Gottes Auge sieht auf uns als Auserwählte
tenor vocals:
James Gilchrist (tenor) (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche (Potsdam) in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (on 2000-10-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
0:48
16Es reißet euch ein schrecklich Ende, BWV 90: 5. Chorale: Leit uns mit deiner rechten Hand
choir vocals:
Monteverdi Choir (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche (Potsdam) in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (on 2000-10-29)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
1:11
17Wachet! betet! betet! wachet!, BWV 70: 1. Chorus: Wachet! betet! betet! wachet!
choir vocals:
Amsterdam Baroque Choir (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
3:34
18Wachet! betet! betet! wachet!, BWV 70: 2. Recitative: Erschrecket, ihr verstockten Sünder
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
1:13
19Wachet! betet! betet! wachet!, BWV 70: 3. Aria: Wenn kömmt der Tag, an dem wir ziehen
alto vocals:
Bernhard Landauer (countertenor) (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alt) "Wenn kömmt der Tag" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
3:44
20Wachet! betet! betet! wachet!, BWV 70: 4. Recitative: Auch bei dem himmlischen Verlangen
tenor vocals:
Christoph Prégardien (tenor) (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
0:41
21Wachet! betet! betet! wachet!, BWV 70: 5. Aria: Lasst der Spötter Zungen schmähen
soprano vocals:
Sibylla Rubens (soprano) (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": V. Aria (Sopran) "Laßt der Spötter Zungen schmähen" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
2:44
22Wachet! betet! betet! wachet!, BWV 70: 6. Recitative: Jedoch bei dem unartigen Geschlechte
tenor vocals:
Christoph Prégardien (tenor) (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VI. Recitativo (Tenor) "Jedoch bei dem unartigen Geschlechte" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
0:32
23Wachet! betet! betet! wachet!, BWV 70: 7. Chorale: Freu dich sehr, o meine Seele
choir vocals:
Amsterdam Baroque Choir (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VII. Choral "Freu dich sehr, o meine Seele" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 98)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
1:07
24Wachet! betet! betet! wachet!, BWV 70: 8. Aria: Hebt euer Haupt empor
tenor vocals:
Christoph Prégardien (tenor) (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VIII. Aria (Tenor) "Hebt euer haupt empor" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
3:06
25Wachet! betet! betet! wachet!, BWV 70: 9. Recitative: Ach, soll nicht dieser große Tag
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
1:48
26Wachet! betet! betet! wachet!, BWV 70: 10. Aria: Seligster Erquickungstag
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag" (in 1998-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
2:40
27Wachet! betet! betet! wachet!, BWV 70: 11. Chorale: Nicht nach Welt, nach Himmel nicht
choir vocals:
Amsterdam Baroque Choir (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": XI. Choral "Nicht nach Welt, nach Himmel nicht" (in 1998-10)
lyricist:
Christian Keymann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 243)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
0:51
28Darzu ist erschienen der Sohn Gottes, BWV 40: 1. Chorus: Darzu ist erschienen der Sohn Gottes
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
4:00
29Darzu ist erschienen der Sohn Gottes, BWV 40: 2. Recitative: Das Wort ward Fleisch
tenor vocals:
James Gilchrist (tenor) (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": II. Recitativo (Tenore) "Das Wort ward Fleisch" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:22
30Darzu ist erschienen der Sohn Gottes, BWV 40: 3. Chorale: Die Sünd macht Leid
choir vocals:
Monteverdi Choir (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": III. Choral "Die Sünd macht Leid" (on 2000-12-25)
lyricist:
Kaspar Füger
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 379)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
0:47
31Darzu ist erschienen der Sohn Gottes, BWV 40: 4. Aria: Höllische Schlange, wird dir nicht bange?
bass vocals:
Peter Harvey (bass-baritone) (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": IV. Aria (Basso) "Höllische Schlange" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:55
32Darzu ist erschienen der Sohn Gottes, BWV 40: 5. Recitative: Die Schlange, so im Paradies
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": V. Recitativo (Alto) "Die Schlange, so im Paradies" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:10
33Darzu ist erschienen der Sohn Gottes, BWV 40: 6. Chorale: Schüttle deinen Kopf und sprich
choir vocals:
Monteverdi Choir (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VI. Choral "Schüttle deinen Kopf und sprich" (on 2000-12-25)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 305)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
0:48
34Darzu ist erschienen der Sohn Gottes, BWV 40: 7. Aria: Christenkinder, freuet euch
tenor vocals:
James Gilchrist (tenor) (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VII. Aria (Tenore) "Christenkinder, freuet euch!" (on 2000-12-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
3:26
35Darzu ist erschienen der Sohn Gottes, BWV 40: 8. Chorale: Jesu, nimm dich deiner Glieder
choir vocals:
Monteverdi Choir (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church (Manhattan) in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VIII. Choral "Jesu, nimm dich deiner Glieder" (on 2000-12-25)
lyricist:
Christian Keymann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 105)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:11
▶CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
▶CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
▶CD 16: Cantatas 18, 66, 134, 67 (1724)
▶CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
▶CD 18: Cantatas 173, 184, 194 (1724)
▶CD 19: Cantatas 20, 2, 7, 135 (1724)
▶CD 20: Cantatas 10, 93, 107, 178 (1724)
▶CD 21: Cantatas 94, 101, 113 (1724)
▶CD 22: Cantatas 33, 78, 99, 8 (1724)
▶CD 23: Cantatas 130, 114, 96, 5 (1724)
▶CD 24: Cantatas 180, 38, 115, 139 (1724)
▶CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
▶CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
▶CD 27: Cantatas 124, 3, 111, 92 (1725)
▶CD 28: Cantatas 125, 126, 127 (1725)
▶CD 29: Cantatas 1, 6, 42 (1725)
▶CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
▶CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
▶CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
▶CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
▶CD 34: Cantatas 32, 13, 72, 43 (1726)
▶CD 35: Cantatas 146, 129, 39 (1726)
▶CD 36: Cantatas 88, 170, 187, 45 (1726)
▶CD 37: Cantatas 102, 35, 17, 19 (1726)
▶CD 38: Cantatas 27, 47, 169, 56 (1726)
▶CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
▶CD 40: Cantatas 82, 157, 84 (1727)
▶CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
▶CD 42: Cantatas 171, 156, 159, 120a (1729)
▶CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
▶CD 44: Cantatas 29, 140, 36 (1731)
▶CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
▶CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
▶CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
▶CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
▶CD 49: 4-Part Chorales, BWV 250-318 AC-GO
▶CD 50: 4-Part Chorales, BWV 319-381 GO-ME
▶CD 51: 4-Part Chorales, BWV 382-438 MI-WO
▶CD 52: Magnificat BWV 243, 243a
▶CD 53: Motets
▶CD 54: Mass in B minor (1 Mortensen)
▶CD 55: Mass in B minor (2 Mortensen)
▶CD 56: Mass in B minor (1 Brüggen)
▶CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
▶CD 58: Missas BWV 234-236
▶CD 59: St. John Passion (1724) (1 Gardiner)
▶CD 60: St. John Passion (1724) (2 Gardiner)
▶CD 61: St. John Passion (1749) (1 Suzuki)
▶CD 62: St. John Passion (1749) (2 Suzuki)
▶CD 63: St. Matthew Passion (1 Gardiner)
▶CD 64: St. Matthew Passion (2 Gardiner)
▶CD 65: St. Matthew Passion (1 McCreesh)
▶CD 66: St. Matthew Passion (2 McCreesh)
▶CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
▶CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
▶CD 69: Christmas Oratorio (1 Gardiner)
▶CD 70: Christmas Oratorio (2 Gardiner)
▶CD 71: Christmas Oratorio (1 Chailly)
▶CD 72: Christmas Oratorio (2 Chailly)
▶CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
▶CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
▶CD 75: Cantatas 36c, 205, 34a (1725-1726)
▶CD 76: Cantatas 207, 204, 216a (1726-1728)
▶CD 77: Cantatas 198, 201 (1727-1729)
▶CD 78: Cantatas 213, 214 (1733)
▶CD 79: Cantatas 211, 215 (1734)
▶CD 80: Cantatas 206, 30a (1736-1737)
▶CD 81: Cantatas 209, 210, 212 (1730s-1740s)
▶CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
▶CD 83: Cantatas 56, 82, 4
▶CD 84: Cantatas 31, 104, 57
▶CD 85: Cantatas 199, 173, 74, 151
▶CD 86: Easter Oratorio / Cantata 140
▶CD 87: Cantatas 170, 159, 102
▶CD 88: Cantatas 80, 52, 84, 209
▶CD 89: Cantatas 82, 158, 56
▶CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
▶CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
▶CD 92: Cantatas 92, 126, 182 (Easter)
▶CD 93: Cantatas 1, 4, 67, 104 (Easter)
▶CD 94: Cantatas 34, 68, 39 (Whitsun)
▶CD 95: Cantatas 30, 147 (Whitsun)
▶CD 96: Cantatas 76, 21 (Trinity)
▶CD 97: Cantatas 135, 10, 45, 105 (Trinity)
▶CD 98: Cantatas 51, 78, 8, 130 (Trinity)
▶CD 99: Cantatas 27, 5, 60, 26 (Trinity)
▶CD 100: St. Matthew Passion (1 Richter)
▶CD 101: St. Matthew Passion (2 Richter)
▶CD 102: St. Matthew Passion (3 Richter)
▶CD 103: Great Singers (1952-1965)
▶CD 104: Great Singers (1967-2011)
▶CD 105: Great Singers (Period Instruments)
▶CD 106: Organ Works (Introduction 1)
▶CD 107: Organ Works (Introduction 2)
▶CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
▶CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
▶CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
▶CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
▶CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
▶CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
▶CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
▶CD 115: Early Chorale Preludes / Chorale Partitas
▶CD 116: Chorale Preludes (Mühlhausen & Weimar)
▶CD 117: Breitkopf Collection, BWV 690-713
▶CD 118: Orgelbüchlein (Preston)
▶CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
▶CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
▶CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
▶CD 122: Clavier-Übung III (1) (Preston)
▶CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
▶CD 124: Free Works of Unproven Authenticity
▶CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
▶CD 126: Keyboard Works (Introduction 1: Harpsichord)
▶CD 127: Keyboard Works (Introduction 2: Piano)
▶CD 128: Early Fugues & Capriccios
▶CD 129: Early Suites & Sonatas
▶CD 130: Toccatas, BWV 910-916
▶CD 131: Virtuoso Fantasias & Fugues
▶CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
▶CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
▶CD 134: English Suites 1-3 (Dreyfus)
▶CD 135: English Suites 4-6 (Dreyfus)
▶CD 136: French Suites 1-4 (Hogwood)
▶CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
▶CD 138: Partitas 1, 2, 6 (Rousset)
▶CD 139: Partitas 3-5 (Rousset)
▶CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
▶CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
▶CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
▶CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
▶CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
▶CD 145: Goldberg Variations (Rousset)
▶CD 146: Goldberg Variations (Esfahani)
▶CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
▶CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
▶CD 149: French Suites 1-3 (Perahia)
▶CD 150: French Suites 4-6 (Perahia)
▶CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
▶CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
▶CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
▶CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
▶CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
▶CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
▶CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
▶CD 158: Goldberg Variations (Schiff)
▶CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
▶CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
▶CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
▶CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
▶CD 163: Orgelbüchlein (Walcha)
▶CD 164: Brandenburg Concertos 1-6 (Goebel)
▶CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
▶CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
▶CD 167: Orchestral Suites 1-3 (Goebel)
▶CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
▶CD 169: Orchestral Suites 1-4 (Pinnock)
▶CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
▶CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
▶CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
▶CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
▶CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
▶CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
▶CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
▶CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
▶CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
▶CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
▶CD 180: Concertos (Alternative Instrumentations)
▶CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
▶CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
▶CD 183: Suites for "Lute"
▶CD 184: Cello Suites 1, 3, 5 (Watkin)
▶CD 185: Cello Suites 2, 4, 6 (Watkin)
▶CD 186: Violin Sonatas BWV 1014-1018
▶CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
▶CD 188: 5 Flute Sonatas / Partita for Solo Flute
▶CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
▶CD 190: Musical Offering / Canons (Goebel)
▶CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
▶CD 192: The Art of Fugue (Aimard)
▶CD 193: The Art of Fugue (1742) (Gilbert)
▶CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
▶CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
▶CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
▶CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
▶CD 198: Cello Suites 1-3 (Fournier)
▶CD 199: Cello Suites 4-6 (Fournier)
▶CD 200: Solo & Chamber Works (Alternative Instrumentations)
▶CD 201: Clavier-Büchlein W. F. Bach (1)
▶CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
▶CD 203: Notenbüchlein A. M. Bach (1725) (1)
▶CD 204: Notenbüchlein A. M. Bach (1725) (2)
▶CD 205: Schemelli Gesangbuch BWV 439-474
▶CD 206: Schemelli Gesangbuch BWV 475-507
▶CD 207: Bach: Early Influences
▶CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
▶CD 209: Concertos at Weimar (Vivaldi)
▶CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
▶CD 211: The Bach Family
▶CD 212: Bach & Other Composers (c. 1715-1730)
▶CD 213: Bach & Other Composers (c. 1730-1742)
▶CD 214: Bach & Other Composers (1742-1750)
▶CD 215: Bach Renewed (From Bach's Sons to Mahler)
▶CD 216: Bach Reimagined (Chaconne & Passacaglia)
▶CD 217: Bach Orchestrated (Reger to Stokowski)
▶CD 218: Inspired by Bach (Gounod to Pärt)
▶CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
▶CD 220: Bach & The Virtuoso Piano (The 20th Century)
▶CD 221: Bach à la Jazz
▶CD 222: New Colours of Bach
▶DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]