Yacht Rock 100

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Countries excluded (Deezer)

(As of 2022-07-31).

  • Oceania: 🇦🇺 Australia (au) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf) 🇳🇿 New Zealand (nz)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
Annotation last modified on 2022-07-31 22:23 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Shinko Music Entertainment Co., Ltd., Universal Music Publishing, Synch Division and Universal Music–MGB Songs
Christopher Cross44:35
2She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
writer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Daryl Hall & John Oates3.655:13
3Must of Got LostThe J. Geils Band52:58
4It Might Be You
Stephen Bishop4:13
5Shakedown Cruise
engineer and mixer:
Terry Nelson (recording engineer)
producer:
Ed "Radar" Mashal and Jay Ferguson (Californian Rock & Roll artist, member of Spirit & Jo Jo Gunne)
bass guitar [bass]:
Scott Chambers
boatswain's pipe [bosun's whistle]:
Tom Peer U.S.N.
drums (drum set) [drums]:
Curly Smith (Jo Jo Gunne musician)
guitar:
Bob Webb (vocalist/guitarist with: The Measles, The James Gang, and Jay Ferguson's band)
guitar [lead guitar]:
Tony Battaglia
piano, synthesizer [synthesizers] and vibraphone [vibes]:
Jay Ferguson (Californian Rock & Roll artist, member of Spirit & Jo Jo Gunne)
background vocals:
Bill Szymczyk
recorded at:
Santa Barbara Sound Studios in Santa Barbara, California, United States
Jay Ferguson4:12
6Baby What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
Chicago3:05
7Please Don’t Leave
Lauren Wood3:58
8Turn It On Salvador
Toy Matinee4:54
9Queen of the Masquerade Ball
engineer and mixer:
Terry Christian and John Guess
producer:
Michael Omartian
lead vocals:
Peter Cetera
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Queen of the Masquerade Ball
writer:
Peter Cetera and Michael Omartian
publisher:
Fall Line Orange Music (in 1986) and See This House Music (in 1986)
Peter Cetera3:53
10Baker StreetThe Shadows4:55
11Heart Over Head
Bette Midler2:48
12Night Moves
Marilyn Martin5:18
13Believe It or Not (from “Greatest American Hero”)Joey Scarbury53:15
14Girls TalkLinda Ronstadt3:20
15Kiss Me Like You Mean It
Air Supply4:27
16Steal Away
Robbie Dupree3:26
17We’re All Alone
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and Boz Scaggs Music (publisher) (from 1975 to present)
Frankie Valli4:08
18Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Magic
writer:
Billy Lyall and David Paton
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS-affiliated) and Robbins Music Corp. Ltd.
Pilot53:06
19I.G.Y.
additional drums (drum set):
Jeff Porcaro
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
bass guitar:
Anthony Jackson (US bassist)
drums (drum set):
James Gadson (American drummer)
electric piano:
Greg Phillinganes
guitar:
Hugh McCracken
percussion:
Roger Nichols (US mastering, recording engineer and producer) and Starz Vanderlocket
synthesizer:
Donald Fagen and Rob Mounsey
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trombone:
Dave Bargeron (US trombonist & tubist)
trumpet:
Randy Brecker
background vocals:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders and Valerie Simpson
lead vocals:
Donald Fagen
arranger:
Donald Fagen
recording of:
I.G.Y. (What a Beautiful World)
lyricist and composer:
Donald Fagen
Donald Fagen6:03
20I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Lobo24:04
21You Might Need Somebody
recording of:
You Might Need Somebody
composer:
Nan O'Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Turley Richards3:36
22Too Young
Jack Wagner4:11
23Nice Girls
Eye to Eye5:08
24All in a Game
The Dukes3:03
25Frankie, I’m So Sorry
David Geddes3:17
26Lonely Boy
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-10)
bell [Sleigh] and drums (drum set):
Michael Botts (from 1976-03 until 1976-10)
cowbell, piano and tambourine:
Andrew Gold (from 1976-03 until 1976-10)
electric piano and synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
guitar:
Dan Dugmore (from 1976-03 until 1976-10)
guitar [Lead Guitar]:
Waddy (from 1976-03 until 1976-10)
handclaps:
Peter Asher (from 1976-03 until 1976-10) and Andrew Gold (from 1976-03 until 1976-10)
background vocals:
Linda Ronstadt (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Lonely Boy (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold54:24
27Look Who’s Lonely Now
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Abraham Laboriel
guitar:
Steve Lukather and Dean Parks (American session guitarist)
horn:
Gary Grant (brass), Gary Herbig, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist), Charles Loper, Lew McCreary and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
keyboard:
Leon Pendarvis
membranophone:
Jeff Porcaro
percussion:
Lenny Castro
solo saxophone:
David Sanborn
background vocals:
Paulette Brown, Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and Carmen Twillie
horn arranger:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
strings arranger:
Nick de Caro
arranger:
Leon Pendarvis
Randy Crawford3:38
28Change of Heart
Nick Heyward4:24
29She’s Not in Love
Larsen–Feiten Band4:41
30Sue Sad
Patrick Simmons3:18
31Don’t Worry BabyVapour Trails3:45
32Lonely Night
Joe Fagin3:36
33Standin’ on the Borderline
Carole King2:55
34So Easy
Aztec Two‐Step51:48
35Survivor
Mickey Thomas4:08
36One Way Ticket
Laura Allan4:00
37Radioland
Nicolette Larson3:08
38Heart and Soul
recording of:
Heart and Soul
writer:
Simon Byrne and Andrew Howell
The Monkees3:55
39Calico
Tommy James3:10
40Fighting Chance
recording of:
Fighting Chance
composer:
Richard Gower (singer and keyboard player for Racey)
Racey3:47
41Kiss and Run
Jorge Calderón3:15
42Does Our Love (Depend On the Night)
Roger Voudouris3:13
43You Belong to You
Off Broadway3:39
44I Can’t Stand It
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
I Can’t Stand It
composer:
Rob Davis (Songwriter/producer was in Mud), Les Gray, Dave Mount and Ray Stiles
Mud2:42
45Small Talk Time
Tom Johnston3:54
46I Keep Changing the Faces
Seals and Crofts4:38
47Moonlighting
recording of:
Moonlighting
lyricist:
Al Jarreau
composer:
Lee Holdridge
Al Jarreau33:03
48Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne
drums (drum set), drums (drum set) and percussion and percussion:
Hal Blaine
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
guitar family and piano:
America (US folk/soft rock band)
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America3.93:31
49I Just Can’t Let Go
producer:
David Pack and Michael Verdick
recording of:
I Just Can't Let Go
lyricist and composer:
David Pack
David Pack4:52
50Stay the NightBenjamin Orr4:22
51What Do You Want the Girl to DoLowell George54:48
52Lost Inside Your Love
Badfinger52:42
53Keep a Light On
additional synthesizer programming:
Ian Underwood
assistant engineer:
Robin Laine and Karen Siegel (engineer)
engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Michael Omartian
additional synthesizer:
Michael Omartian
bass guitar:
Mark Leonard
drums (drum set):
Doane Perry
guitar:
Michael Landau
percussion:
Paulinho da Costa and Michael Omartian
piano:
Robbie Buchanan and Jay Gruska
synthesizer:
Robbie Buchanan
additional background vocals:
Bill Champlin, Tommy Funderburk and Jennifer Williams (vocalist)
lead vocals:
Jay Gruska
vocals:
Robbie Buchanan, Mark Leonard and Doane Perry
strings arranger:
Michael Omartian
arranger:
Maxus and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
produced for:
Lewis Kaplan Enterprises, Inc.
recorded at and mixed at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Keep a Light On
lyricist:
Jay Gruska
composer:
Paul Gordon (musical theatre composer (Jane Eyre)) and Jay Gruska
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Colgems-EMI Music Inc. (from 1980 to present), J‐88 Music (from 1980 to present), Paul Doll Music (from 1980 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Maxus3:22
54Down in the Bottom
bass and ukulele:
Walter Becker
guitar:
Walter Becker and Dean Parks (American session guitarist)
keyboard:
John Beasley (American jazz pianist) and Donald Fagen
percussion:
Paulinho da Costa
saxophone:
Bob Sheppard (American jazz musician)
trombone:
Bruce Paulson
vocals:
Walter Becker
recording of:
Down in the Bottom
lyricist and composer:
Walter Becker
Walter Becker4:16
55Why I Came to California
co-producer:
Marty Paich
producer:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
recording of:
Why I Came to California
writer:
Janis Siegel and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Morton St. Publishing, ピアーミュージック (Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Leon Ware4:08
56Sensitive SoulJerry Corbetta3:22
57Through the Fire
recording of:
Through the Fire
writer:
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) and Cynthia Weil
publisher:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc., TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 and ピアーミュージック (Japan, subsidiary of Nichion)
Chaka Khan4:43
58One Love Too Late
recording engineer:
Phil Kaye and Roger Nichols (US mastering, recording engineer and producer)
synthesizer programming:
Ian Underwood
assistant engineer:
John Banuelos, Dennis Eveland and Cecilia Perna
producer:
Steve Barri
mixer:
Phil Kaye
arranger:
Michael Omartian
recorded at and mixed at:
Jennifudy Studios in North Hollywood, Los Angeles, California, United States
Patty Weaver4:13
59Savannah Sunny Sunday
Galdston and Thom5:40
60I Want Something to Find Me
Brenda Russell3:04
61Hello It’s Me
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:52
62Goodbye Girl
acoustic guitar, bass guitar and piano:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
electric guitar:
Dean Parks (American session guitarist)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1977)
recording of:
Goodbye Girl
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country-specific information is available)
David Gates2:48
63We’ll Never Have to Say Goodbye Again (single version)England Dan & John Ford Coley2:52
64Yachting Types
Yachts2:43
65Baby I’m‐A Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recording of:
Baby I’m-a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–EMI Music Ltd.
Bread42:23
66Ride Captain Ride
producer:
Richard Podolor
recording of:
Ride Captain Ride
lyricist:
Frank "Skip" Konte (Blues Image keyboardist)
composer:
Mike Pinera
publisher:
Atlantic (Warner Music imprint) and ATM Music
Blues Image4.53:45
67High Sierra
Keith Carradine4:05
68Suzy
Terence Boylan2:51
69Break the Chain
Jim Messina3:05
70Where Have You Been All My Life
Fotomaker3:36
71Still the One
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
Orleans53:52
72I Love a Rainy Night
recording of:
I Love a Rainy Night
writer:
David Malloy, Eddie Rabbitt (US country singer & songwriter) and Even Stevens (singer / songwriter)
Eddie Rabbitt53:11
73Crazy in the NightThe Sherbs3:52
74Lookin’ Out
Brian Briggs3:30
75Fantasy
recording of:
Fantasy
writer:
Barry Goldberg (blues rock keyboardist and producer) and Will Jennings
publisher:
Irving Music (BMI)
Cilla Black3:18
76She’s Not for You
recording engineer and mixer:
Kent Nebergall
producer:
Joey Carbone and Richie Zito
bass guitar:
Dennis Belfield
drums (drum set):
Carlos Vega
guitar:
Richie Zito
keyboard:
Joey Carbone
percussion:
Joey Carbone and Lenny Castro
lead vocals:
John O’Banion
arranger:
Richie Zito
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981)
produced for:
Carbone and Zito Productions, Inc.
recording of:
She’s Not for You
lyricist and composer:
Richie Zito
publisher:
Richie Zito Music, Sixty‐Ninth Street Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
John O’Banion4:07
77She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
writer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Hall & Oates3.655:15
78Sara
Bill Champlin3:15
79Good as It Can Be
Eric Kaz2:39
80Give It All up for You
The Williams Brothers3:38
81Sail Away
producer:
Van Dyke Parks
arranger:
Van Dyke Parks
recording of:
Sail Away
writer:
Larry Millas, Jim Peterik, Joe Thomas (Producer/composer/piano player) and Brian Wilson (Beach Boys co-founder)
Brian Wilson & Van Dyke Parks5:16
82Cool FoolBruce Roberts4:25
83What a Fool BelievesMatt Bianco4:24
84Do It AgainTerry Callier4:53
85All the Love You Give Me
Mark Farner4:48
86Chuck E.’s in Love
Rickie Lee Jones3:29
87Atlantic Liner
Chunky, Novi & Ernie3:45
88One Good Friend
Roger Tillison2:40
89Night Time in the Switching Yard
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass guitar:
Bob Glaub
cowbell:
Greg Ladanyi
drums (drum set) and percussion:
Jeff Porcaro
guitar:
Danny Kortchmar
guitar family and synthesizer:
Waddy Wachtel
synthesizer:
Warren Zevon
background vocals:
The Gentlemen Boys
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978)
recording of:
Nighttime in the Switching Yard
writer:
Jorge Calderón, David Lindell, Waddy Wachtel and Warren Zevon
Warren Zevon34:19
90You Are the Woman
recording of:
You Are the Woman
writer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:45
91Dream Weaver
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
Gary Wright54:15
92Marina Del Rey
producer:
Gary Katz
lead vocals:
Marc Jordan (US–born Canadian singer–songwriter)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Marina Del Rey
lyricist and composer:
Marc Jordan (US–born Canadian singer–songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Mortgage Music, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Marc Jordan3:11
93Just When I Needed You Most
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher) and WB Music Corp. (1929–2019)
Randy VanWarmer4:01
94The Air That I BreatheOlivia Newton‐John3:52
95I Can’t Tell You Why
drum machine programming:
Shai (R&B soul quartet)
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Larry Carlton
keyboard:
Shai (R&B soul quartet)
vocals:
Shai (R&B soul quartet)
arranger:
Shai (R&B soul quartet)
mixed at:
Schnee Studios in Hollywood, Los Angeles, California, United States
Larry Carlton4:28
96You’re Moving Out Today
recording of:
You're Moving out Today
writer:
Carole Bayer Sager, Bette Midler and Bruce Roberts (American singer-songwriter)
Carole Bayer Sager53:35
97How Long
recording of:
How Long
lyricist and composer:
J.D. Souther
JD Souther3:22
98Just the Way It Is, Baby
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts44:03
99Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:49
100Love Is the AnswerUtopia4:17

Credits