The Sound of Jacqueline Du Pré

~ Release by Jacqueline du Pré (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▼CD 4
#TitleArtistRatingLength
1Cello Suite no. 1 in G BWV 1007: I. Prélude
producer:
Peter Gould
cello:
Jacqueline du Pré (cellist) (on 1962-01-07)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-01-07)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1962-01-07)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (on 1962-01-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach2:40
2Cello Suite no. 1 in G BWV 1007: II. Allemande
producer:
Peter Gould
cello:
Jacqueline du Pré (cellist) (on 1962-01-07)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-01-07)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1962-01-07)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: II. Allemande (on 1962-01-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach4:43
3Cello Suite no. 1 in G BWV 1007: III. Courante
producer:
Peter Gould
cello:
Jacqueline du Pré (cellist) (on 1962-01-07)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-01-07)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1962-01-07)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: III. Courante (on 1962-01-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach2:51
4Cello Suite no. 1 in G BWV 1007: IV. Sarabande
producer:
Peter Gould
cello:
Jacqueline du Pré (cellist) (on 1962-01-07)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-01-07)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1962-01-07)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (on 1962-01-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach4:12
5Cello Suite no. 1 in G BWV 1007: V. Minuetto I & II
producer:
Peter Gould
cello:
Jacqueline du Pré (cellist) (on 1962-01-07)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-01-07)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1962-01-07)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: V. Menuet I & II (on 1962-01-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach3:19
6Cello Suite no. 1 in G BWV 1007: VI. Gigue
producer:
Peter Gould
cello:
Jacqueline du Pré (cellist) (on 1962-01-07)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-01-07)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1962-01-07)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (on 1962-01-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach2:04
7Adagio (Toccata, Adagio & Fugue in C BWV 564)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (from 1962-07-15 until 1962-07-16)
organ:
Roy Jesson (harpsichordist and organist) (from 1962-07-15 until 1962-07-16)
balance engineer:
Neville Boyling (engineer) (on 1962-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-07-15 until 1962-07-16)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (for cello and piano, arr. Siloti & Casals) (from 1962-07-15 until 1962-07-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
cello arranger:
Pau Casals (cellist, aka. Pablo Casals)
arranger:
Александр Ильич Зилоти
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
Johann Sebastian Bach4:47
8Sicilienne
engineer:
Neville Boyling (engineer) (in 1962-07)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) (in 1962-07)
cello:
Jacqueline du Pré (cellist) (from 1962-07-15 until 1962-07-16)
piano:
Gerald Moore (pianist) (from 1962-07-15 until 1962-07-16)
arranger:
Samuel Dushkin (American violinist and transcriber)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-07-15 until 1962-07-16)
recording of:
Sicilienne (for violin and piano) (from 1962-07-15 until 1962-07-16)
composer:
Maria Theresia von Paradis
Maria Theresia von Paradis3:01
912 Variations in F op. 66 on “Ein Mädchen Oder Weibchen” From Mozart’s “Die Zauberflöte”
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
cello:
Jacqueline du Pré (cellist) (from 1970-08-25 until 1970-08-26)
piano:
Daniel Barenboim (pianist and conductor) (from 1970-08-25 until 1970-08-26)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1970-08-25 until 1970-08-26)
phonographic copyright (℗) by:
BBC Radio 3 (from 1976 to present) and EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (from 1988 to present)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (from 1970-08-25 until 1970-08-26)
live recording of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66 (from 1970-08-25 until 1970-08-26)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 66)
is based on:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
Ludwig van Beethoven10:57
10Fantasiestücke op. 73: I. Zart und mit ausdruck
engineer:
Neville Boyling (engineer) (in 1962-07)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) (in 1962-07)
cello:
Jacqueline du Pré (cellist) (from 1962-07-15 until 1962-07-16)
piano:
Gerald Moore (pianist) (from 1962-07-15 until 1962-07-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-07-15 until 1962-07-16)
recording of:
Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 1: Zart und mit Ausdruck (from 1962-07-15 until 1962-07-16)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Drei Fantasiestücke für Klarinette und Klavier, op. 73
Robert Schumann3:12
11Fantasiestücke op. 73: II. Lebhaft, leicht - Coda: Nach und nach ruhiger
engineer:
Neville Boyling (engineer) (in 1962-07)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) (in 1962-07)
cello:
Jacqueline du Pré (cellist) (from 1962-07-15 until 1962-07-16)
piano:
Gerald Moore (pianist) (from 1962-07-15 until 1962-07-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-07-15 until 1962-07-16)
recording of:
Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 2: Lebhaft, leicht (from 1962-07-15 until 1962-07-16)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Drei Fantasiestücke für Klarinette und Klavier, op. 73
Robert Schumann3:18
12Fantasiestücke op. 73: III. Rasch und mit feuer - Coda: Schneller
engineer:
Neville Boyling (engineer) (in 1962-07)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) (in 1962-07)
cello:
Jacqueline du Pré (cellist) (from 1962-07-15 until 1962-07-16)
piano:
Gerald Moore (pianist) (from 1962-07-15 until 1962-07-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-07-15 until 1962-07-16)
recording of:
Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 3: Rasch und mit Feuer (from 1962-07-15 until 1962-07-16)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Drei Fantasiestücke für Klarinette und Klavier, op. 73
Robert Schumann4:25
13Song Without Words in D op. 109
engineer:
Neville Boyling (engineer) (in 1962-07)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) (in 1962-07)
cello:
Jacqueline du Pré (cellist) (from 1962-07-15 until 1962-07-16)
piano:
Gerald Moore (pianist) (from 1962-07-15 until 1962-07-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-07-15 until 1962-07-16)
recording of:
Lied ohne Worte, op. 109 (from 1962-07-15 until 1962-07-16)
composer:
Felix Mendelssohn (composer) (in 1845)
part of:
Works of Felix Mendelssohn by opus number (number: op. 109) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV Q 34)
Felix Mendelssohn5:31
14Le carnaval des animaux: Le Cygne
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1962-07-21)
harp:
Osian Ellis (Welsh harpist and composer) (on 1962-07-21)
balance engineer:
Neville Boyling (engineer) (on 1962-07-21)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (on 1962-07-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:53
15Élégie in C minor op. 24
producer:
Suvi Raj Grubb and Ronald Kinloch Anderson (pianist, harpsichordist and producer) (in 1969-04)
cello:
Jacqueline du Pré (cellist) (on 1969-04-01)
piano:
Gerald Moore (pianist) (on 1969-04-01)
balance engineer:
Stuart Eltham (engineer) (on 1969-04-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-04-01)
recording of:
Élégie, op. 24 (for cello and piano) (on 1969-04-01)
composer:
Gabriel Fauré (French composer) (in 1883)
part of:
Works of Gabriel Fauré by opus number (number: op. 24)
Gabriel Fauré6:44
16Kol Nidrei op. 47
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1962-07-15)
piano:
Gerald Moore (pianist) (on 1962-07-15)
balance engineer:
Neville Boyling (engineer) (on 1962-07-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-07-15)
recording of:
Kol Nidrei, op. 47 (on 1962-07-15)
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch10:31
17Suite Populaire Espagnole: Jota
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1962-07-21)
classical guitar:
John Williams (classical guitarist) (on 1962-07-21)
guitar:
John Williams (classical guitarist)
balance engineer:
Neville Boyling (engineer) (on 1962-07-21)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-07-21)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (for cello and guitar, Maréchal) (on 1962-07-21)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arranger:
Maurice Maréchal
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
Manuel de Falla3:35