Classics for Lovers

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Intersound1032

Annotation last modified on 2005-08-26 09:55 UTC.

Tracklist

▼Medium 1
#	Title	Artist	Rating	Length
1	Peer Gynt Suite no. 1, op. 46: I. Morning Mood orchestra: Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic, Košice) and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Róbert Stankovský and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		3:57
2	Fantasia on “Greensleeves” orchestra: Plymouth Festival Orchestra arranger: Ralph Greaves (in 1934) recording of: Fantasia on “Greensleeves” composer: Ralph Vaughan Williams (English composer) (from 1924 until 1928) arranger: Ralph Greaves (in 1934) publisher: Oxford University Press (in 1936) is based on: Greensleeves (generic entry for traditional and unknown arrangements) is based on: Lovely Joan (traditional English folk song) is based on: Sir John in Love	Ralph Vaughan Williams		4:17
3	The Sleeping Beauty: II. Adagio-Pas d’action: Andante - Adagio maestoso - Molto sostenuto, quasi più andante - Tempo I orchestra: [unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO) conductor: L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert recording of: The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Sleeping Beauty, op. 66a (Suite)	Пётр Ильич Чайковский		5:29
4	Piano Concerto no. 21 in C major “Elvira Madigan”, KV 467: II. Andante piano: Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart	3	5:39
5	The Tales of Hoffman, Eplilogue: Barcarolle orchestra: Royal Philharmonic Orchestra	Jacques Offenbach		3:22
6	Cavalleria Rusticana: Intermezzo orchestra: London Festival Orchestra (Alfred Scholz pseudonym)	Pietro Mascagni		3:29
7	Tristan and Isolde: Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym) recording of: Tristan und Isolde, WWV 90: Akt I, Vorspiel composer: Richard Wagner (composer) (from 1857-10 until 1859-08) part of: Tristan und Isolde, WWV 90: Akt I	Richard Wagner		10:45
8	Swan Lake Suite: Scene I “Enchanted Lake” orchestra: London Festival Orchestra (Alfred Scholz pseudonym)	Пётр Ильич Чайковский		2:57
9	Prince Igor, Act II: Polovtsian Dance no. 17 orchestra: Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)	Александр Порфирьевич Бородин		11:35
10	String Serenade in C major, op. 48: III. Elegia: Larghetto elegiaco orchestra: London Festival Orchestra (Alfred Scholz pseudonym)	Пётр Ильич Чайковский		6:45
11	Boléro (Radio Symphony Orchestra) piano: Mee Chou Lee (pianist) orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect) conductor: Samo Hubad (conductor) and Anton Nanut (pseudonym for Alfred Scholz) recording of: Boléro composer: Maurice Ravel (classical composer) (in 1928) publisher: Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?) premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Maurice Ravel		13:45

Credits

Release

ASIN:	US: B00083F2VQ [info]