Annotation

“Taking its cue from Prokofiev’s own penchant for constant revision, the present performance makes a number of cuts in the last movement, thereby underlining the inherent solo-tutti balance of power that was to become the salient characteristic of the later Op125 version. In its way, therefore, it can be regarded as a ‘combined version’ seeking to fuse the virtues of the two Prokofiev works.” @

The above quote from the English liner notes to Philips 434 166-2 release seem to be the only mention of this. (The German is a translation of the English, the French and Italian both original but apparently commissioned to relate Prokofiev’s Op58 & 125 versions only. And the 2 other Releases in same Group have no scans to compare with.)

Annotation last modified on 2018-12-02 16:03 UTC.

Relationships

revised by:[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
revision of:Cello Concerto in E minor, op. 58: III. Tema e variazioni - Coda

Recordings

DateTitleArtistLength
recordings
1972-10Cello concerto in E minor, op. 58: III. Tema e variazioni – CodaChristine Walevska, Orchestre Philharmonique de Monte‐Carlo, Eliahu Inbal12:24